This book took me over a year to read. I enjoyed every bloody minute of it.
Early on in the marathon armchair experience which has been Quicksilver
I realised that this was a very special novel. I guess if I had knuckled under and made an effort then I could have polished it off in a week or so - it is 926 pages of small print - but I wanted to spend more time with it than that. So it became my occasional book. Something I would pick up once every couple of weeks for a brief dip.
Of course, when you spend so long with one volume it does become part of the fabric of your life, part of the furniture. My family have grown used to finding it lying in the garden, sitting on the staircase, or discarded by the side of the bed. It was like a small, rectangular, lazy family pet. I think they will miss it.
Neal Stephenson's novel is, at its very core, quite simple. You follow three characters through the last third of the 17th century as they play their respective parts in history. While journeying with them you meet, brush past and walk slap bang into a huge array of historical figures and events. Quicksilver interlaces fact and fiction seamlessly.
Daniel Waterhouse is a roommate of Isaac Newton at Cambridge and becomes, like him, a member of the Royal Society. As a puritan with a notoriously outspoken father he has to walk a fine political and religious line if he is to avoid the Tower. Through him we see the world of 17th century science and also the goings in the court of three different English kings.
Jack Shaftoe is a vagabond and mercenary wending his way through war-torn Europe. He rescues a young woman from a Turkish harem during the Battle of Vienna and with a combination of his brawn and her brain they look to make their fortune across the continent.
Eliza, the rescued woman, is a genius at business and soon becomes a sought after courtier and spy. Through her we watch the scandal and intrigue of Louis' France and William's Holland.
The book, and its characters, takes us to some of the most famous events in history. The Great Fire of London, the Plague, the aforementioned brouhaha in Vienna, the Monmouth rebellion and others, culminating in the Glorious Revolution. It is epic in scope and ambition. It is a huge and impressive achievement. Some have criticised it for being overly long and rambling but, for me, Stephenson has recreated the 17th century his characters inhabit by immersing the narrative in every aspect of the 17th century. The text lives and breathes the times. It really is a marvel.
The tragedy of Quicksilver is that it remains only a moderate seller with a small audience in the UK, albeit quite a passionate one. The blame for that lies firmly with categorisation. This remarkable work of historical fiction will, more than likely, only be found in your local bookstore's Science Fiction & Fantasy section, if they stock it at all.
This is not a work of fantasy. It is historical fiction. While reading it I was often reminded of Crimson Petal & The White by Michel Faber (it shares the same sharp wit) and the non-fiction work of Peter Ackroyd, particularly his London books. Certainly if Ackroyd had written this book it would be required reading by a whole bunch of people who never go anywhere near the Sci-Fi shelves.
The good news for me is that there are another two volumes, and nearly 2,000 pages to go, as Stephenson followed this up with The Confusion
and The System Of The World
to complete his Baroque Cycle.
Quicksilver has also sparked off a whole range of other reading projects for me. The remarkable character of Isaac Newton in the book is one of its highlights, I now want to know more, much more, about him. The Royal Society is fascinating and I am going to seek out some books on that subject. I also desperately need to read up on the Glorious Revolution, about which I know absolutely nothing. Any novel that sets you on a non-fiction reading spree is one worthy of note.
Don't be scared by Quicksilver, it is as thick as a brick but is one of the most rewarding reading experiences I can remember.