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    Quick Flicks

    • Adam Thirlwell: The Escape

      Adam Thirlwell: The Escape
      Politics, Thirlwell's debut, was a reasonable, if immediately forgettable attempt to emulate Kundera - slight but charming. This follow up after a seven year wait lacks that charm and is, instead, a bit irritating. (**)

    • Richard Asplin: Conman

      Richard Asplin: Conman
      With a quote from Tony Parsons on the front and a comparison with Ben Elton on the back this is a book I wouldn't normally touch with a bargepole but it is much better than those namedrops would suggest. When Neil's business falls on hard times he befriends a dodgy conman - and then things really start to go breasts uppermost. More Jake Arnott than Tony Parsons - thank god. (***)

    • Max Frisch: I'm Not Stiller

      Max Frisch: I'm Not Stiller
      Kafka-esque novel about a man in prison who claims not to be Anatol Ludwig Stiller despite all the evidence to the contrary, including the fact that his wife, mistress and brother all say that he is. I must find out where this one goes. (****)

    • Megan Abbott: Queenpin

      Megan Abbott: Queenpin
      The wonderful retro cover reflects the wonderful retro content full of mobsters, casinos, women with legs to die for and other assorted cliches handled with aplomb. (****)

    • Chuck Palahniuk: Pygmy

      Chuck Palahniuk: Pygmy
      Whether you go for this or not pretty much depends on how you respond to the broken pidgin English used by the narrator - an exchange student visiting the US from some strange invented hybrid Communist state. It annoyed me, so I gave up. You may have more patience. (**)

    • Robert Twigger: Dr Ragab's Universal Language

      Robert Twigger: Dr Ragab's Universal Language
      An unusual, surreal and genuinely intriguing novel from a writer more used to non-fiction. This gorgeous hardback has lured me in and I plan to read on. (***)

    • David Denby: Snark

      David Denby: Snark
      Oh this is good. A measured, amusing and incisive attack on 'snarking' - the low-grade, insult-based journalism and humour which seems very much the rage at the moment. Essential reading for Nick Cohen and Tim Adams methinks. Oh, and probably for me too. (****)

    • Yael Politis: Lonely Tree

      Yael Politis: Lonely Tree
      An engaging and enlightening novel set around the formation of the state of Israel. Politics, history, family and love are combined well with echoes of Louis de Bernieres at his most readable. (***)

    • William Shakespeare: The Tempest

      William Shakespeare: The Tempest
      Another take on the Shakespeare graphic novel. I realise it is sacrilegious to say this but, for me, there was too much of the text and not enough of the pictures. I would have preferred for more of the story to be told through the images. (***)

    • Josa Young: One Apple Tasted

      Josa Young: One Apple Tasted
      Far too much pink on the cover to be aimed at me, and clearly designed for the classier end of the women's fiction market, but an entertaining read nonetheless. Three narratives - one each from the 1930s, 50s and 80s - combine to explore how past events can impact on future generations. (***)

    • Jacob Polley: Talk of the Town

      Jacob Polley: Talk of the Town
      It's a personal thing but I often struggle with books written in the vernacular. I either have to skim read so that it doesn't bog me down or go extra slow to work out what it all means. Either way removes a great deal of the reading pleasure. This debut, set in 80s Carlisle, has too many affternoons, watters and dropped G's for my liking. (**)

    • Stan Cattermole: Bete De Jour: The Intimate Adventures of an Ugly Man

      Stan Cattermole: Bete De Jour: The Intimate Adventures of an Ugly Man
      Stan Cattermole is an ugly man. A very ugly man. Join jim as he searches for love, although a quick shag would do. This is a true story - painfully honest and painfully funny. I hope to welcome the author to the blog very soon. (****)

    • Terri Wiltshire: Carry Me Home

      Terri Wiltshire: Carry Me Home
      This confused me as it has a similar opening to Scottsboro by Ellen Feldman which is also published by Macmillan. Where this one differs is that it adds a parallel modern narrative and after my initial deja vu moment this did grow on me. (***)

    • Emma Vieceli: Manga Shakespeare: Much Ado About Nothing

      Emma Vieceli: Manga Shakespeare: Much Ado About Nothing
      All the wit and energy of Branagh's film adaptation but in comic book form. Perfect study aid. Almost made me like Shakespeare. (****)

    • Megan Abbott: The Song is You

      Megan Abbott: The Song is You
      I love how Pocket Books has packaged this series of crime novels. Both cover and contents hark back to pulp classics of the 40s and 50s. Great entertainment. (****)

    • Maggie Dana: Beachcombing

      Maggie Dana: Beachcombing
      An edgy romance about getting back with an old flame - 35 years on! At the more sophisticated end of the genre this will appeal equally to chicklit fans and those of a more literary persuasion. Perfect summer reading. (***)

    • Dale Peck: Sprout

      Dale Peck: Sprout
      A gay teenager with green hair moves with his father from New York to Kansas. They do things differently there. A coming of age novel with some verve and edge. A great books for teenagers to read. (***)

    • Shannon Burke: Black Flies

      Shannon Burke: Black Flies
      A novel about a paramedic set in 1990s Harlem. Lots of gore and action. I am a bit suspicious of the lack of boring and pointless calls that Tom Reynolds describes so well in Blood Sweat & Tea but this is a compelling read so far. (***)

    • Aleksandar Hemon: Love and Obstacles

      Aleksandar Hemon: Love and Obstacles
      I tried three of the stories but just couldn't get in to any of them. (**)

    • Jessica Ruston: Luxury

      Jessica Ruston: Luxury
      Remember the guilty pleasure of reading a Harold Robbins or a Judith Krantz? Jess has brought the old-fashioned blockbuster bang up to date. This could be quite a ride. (***)

    • Diana Mosley: The Pursuit of Laughter

      Diana Mosley: The Pursuit of Laughter
      A worthy addition to the ever-growing Mitford library. This collection of articles, reviews and diary entries is perfect for dipping into on these long summer evenings. (****)

    • China Mieville: The City and the City

      China Mieville: The City and the City
      Mieville has carved a popular sci-fi/fantasy niche with his books to date. This is more of a crime thriller but still set in an imagined world. Can't say it has grabbed me so far but I should probably read some of his other stuff first. (***)

    • Tim Murgatroyd: Taming Poison Dragons

      Tim Murgatroyd: Taming Poison Dragons
      An epic novel of old China. I confess I found the narrative a little stilted, reading more like an old-fashioned translation, which was probably what the author was trying for but it bugged me. (**)

    • Tim Burrows: From CBGB to the Roundhouse

      Tim Burrows: From CBGB to the Roundhouse
      'Why do so many music venues close when art galleries and museums are preserved?' - a good question from the author which sets the tone for this interesting and entertaining study. (***)

    • Julian Evans: Semi-invisible Man: The Life of Norman Lewis

      Julian Evans: Semi-invisible Man: The Life of Norman Lewis
      I have never read any Lewis, although I have his final book on my shelves. The preface of this book, which reads like the perfect essay on the art of biography, impressed me so much that I will have to read more. (****)

    • Jenn Ashworth: A Kind of Intimacy

      Jenn Ashworth: A Kind of Intimacy
      I have two friends who are obsessed by morbidly obese people and they will love this. I enjoyed it too. Narrated by an XXL woman as she tries to make a fresh start in life. Funny, sexy and slightly odd. (***)

    • Caroline Rance: Kill-Grief

      Caroline Rance: Kill-Grief
      18th century Chester. A young nurse with a secret to hide starts work at a new hospital. This reminded me of The Observations by Jane Harris and is recommended to anyone who enjoyed that book. I will read more of this soon. (***)

    • Muriel Barbery: The Gourmet

      Muriel Barbery: The Gourmet
      In a wonderful example of linked novels, this prequel fleshes out the story of the food critic from current bestseller The Elegance of the Hedgehog. Here we find him on his deathbed, desperate to recall a forgotten flavour from his youth. A small tasty morsel and the perfect accompaniment to one of the sleeper hits of this year. (***)

    • Giancarlo de Cataldo: Father and the Foreigner, The

      Giancarlo de Cataldo: Father and the Foreigner, The
      The fathers of two disabled sons become friends but their relationship takes a sinister turn. A most intriguing Italian novel. Quite short too, and one I shall definitely be finishing off soon. (****)

    • Chris Simms: The Edge

      Chris Simms: The Edge
      Simms writes gritty, down to earth crime fiction to rival the very best of them. And he isn't scared of killing off a major recurring character in this latest instalment. If you like crime and have yet to read his work then might I suggest you get your bloody finger out. (***)

    • Chris Ewan: The Good Thief's Guide to Paris

      Chris Ewan: The Good Thief's Guide to Paris
      A crime series narrated by a thief who is also a crime writer. Like a circle in a circle like a wheel inside a wheel. One of the more imaginative and original crime writers around at the moment and a series of books (the first one is set in Amsterdam) that I am sure is destined for big things. (****)

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    • Scott Pack is Publisher at The Friday Project, an imprint of HarperCollins.
    • "Like an extra in one of those 'it's grim up north London' cartoons in Private Eye" - The Observer
    • "A bull-necked, shaven-headed former pop music salesman" - New Statesman

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    February 01, 2007

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    Comments

    Horray! Give the man a medal!

    Like a lot of booksellers I was very pro-Potter in the early days. It was great to see an unknown author do well and the first three books were good fun. I remember doing my bit to push this new unknown author.

    Sadly, by the fourth book, both the publisher and author seemed to have disappeared somewhere up themselves (in the author's case this was evidenced by the book's increase in length), whilst Warner Bros stepped in and created a franchise out of the whole thing. The very people who worked hard to make Potter a success were suddenly treated as second-class citizens.

    Once Pottermania is over Bloomsbury will be dependent on booksellers like Waterstone's again - they won't be selling Rupert Thompson at Asda (unless R&J suddenly take a shine to him). Waterstone's, Borders and Smiths should insist on better terms and conditions this time round, with reprisals if Bloomsbury dig their heels in.

    As for Potter night, although I'm cynical about the whole franchise thing, the actual launch parties are great and yes, there are lots of speccy kids with lightning scars, but I really think that it's an event they'll remember for the rest of their lives.

    As a former bookseller I hear you, but I was wondering what would you have done differently/better if you were publishing the book? Do you think Harper or Penguin would've handled this better?

    Re: point no. 2, I think I might like to just try being in a bookstore at midnight with some owls. Just to see. But I agree, none of those other things sound like fun.

    In all things Bloomsbury, points 4 and 8 stand out as to why they deserve a complete kicking from the retailers. But of course they won't get one, sadly.

    How can a company with that much cash and apparent financial solidity issue a profits warning as they did in December ? That's one for the Bloomsbury shareholders, methinks. Fuck-off advances have been Bloomsbury's calling card for too long.

    Bloomsbury had a unique chance to make a difference, but fell prey to the excessive self-interest that characterises the publishing industry. Ironically they have been a publisher of some great quality fiction and non-fiction but have lost sight of that ambition, dazzled by Potter shillings.

    Shame on them, on Newton.

    Q

    Wow say how you feel SP. Great post. Despite the midnight openings being quite fun, I have to agree with you on all counts. Wouldn't it be great if retailers stood up to them and said, "Actually, No."

    I know this will never happen but at least this is the last book. What? She wants to write adult fiction next? Shit...

    We have so many parents who complain that the children's section is nothing but fantasy and Harry Potter-like booksa. It's a shame, but publishing seems less about imagination and more about finding something and running with it, squeezing whatever you can about it then complain about a flooded market when all they get submitted to them are books of a certain genre. It's kinda irresponsible. Luckily people like The Friday Project exist.

    Anyone who has a book out in July, I feel very sorry for them indeed because initial first month book sales are just slashed and it reflects badly on the authors who have hardbacks out that time.

    A friend of mine in the states has her book coming out here that week and she's hopefully going to look into delaying the release or pulling it forward, and that's a crime book!

    If my memory serves me right Amazon orders for HP6 were delivered the day of publication.

    Am I wrong - quite probably, because nowadays I have no interest in HP

    It will be interesting to see the time at which Az will be offering delivery of their £8.99 copies in 2007.

    No box openings until midnight - betcha Amazon have them open many hours before, and of course with arrogant Bloomsbury looking in the other direction.

    Scott,

    England are at last playing competitive cricket and now I have my second reason to cheer this morning. It's about time someone so sanguine as you pointed out the 'emperor's new clothes' froth that surrounds the publication of each new Harry Potter title. My beef with the whole success of Harry Potter is the relative quality of the writing. If Philip Pullman's books were as widely read by both children and adults, the world would be fairer and maybe a little saner.

    i have a friend (who shall remain nameless) who used to run an independent book shop. no - honestly - she really does exist. i'm not making this up.
    anyway - she found that her wholeseller were charging more to her for copies of harry potter than tescos were selling it for. obvious solution? send the copies back to the warehouse, drive up to tesco, buy a shedload, peel the stickers of and sell them in her store.
    only common sense!

    That is a very good question indeed Dan. What would I have done differently or better? I suspect I wouldn't have handled it any better at all.

    The most worrying aspect for me is that we are witnessing the biggest success in publishing history, a book of gigantic proportions, and yet many long-established traditional bookshops won't even be stocking it. That has to be wrong. Bloomsbury may not care but the author must be bothered by that situation.

    For the last book, here's what I'd do. It is probably very flawed and is somewhat off the top of my head but you can have it anyway.

    I'd split the market for the book into three sectors: Supermarkets & Internet, High Street Chains, Independent Bookshops.

    For Supermarkets & Internet I'd just say, you are going to promote on price and sell it dirt cheap. That is your USP, best of luck with it, you have the discount you normally get - fine.

    High Street chains, you have the set up to do big preorder offers. We won't stand in your way. You go ahead and give away a free book with every reservation, in fact, here's a nice key ring or some other trinket for you to make part of the bundle.

    As for Independent Bookshops, we know you cannot compete on price and we know that many of you are not even going to stock the book. We think that is a real shame so we will provide all indies with a version of the book with a different limited edition cover. It is a one-off, and only applies to your initial order but this unique cover will only ever be sold through UK independents.

    That would mean that supermarkets could sell it like they do toilet roll, chains can create a huge buzz and have a nice freebie and indies can have a collector's item that people will be prepared to pay a premium for.

    Everyone is happy.

    Or am I being too idealistic?

    Scott

    Yes, you are being too idealistic

    Bloomsbury are like a Mayfair call-girl who will still do a knee-trembler down on the docks, just for old times sake.

    I'm one of those arseholes who always goes into Waterstone's on Harry Potter Day and fights my way through the close-up illusionists and burst balloons to buy something in translation just to be contrary. Well, it makes me happy.

    Harry Potter has transformed the book world and got more people reading than ever. For that reason alone, we shhould be grateful to Bloomsbury.

    Why don't you all stop complaining and realise that publishing the biggest book in the world must be a seriously tough task but it ultimately brings millions of people a lot of happiness?

    Of course the books have to be locked up - if they weren't and someone read it and leaked the ending, then millions of children would be so disappointed. But maybe you scrooges would enjoy that.

    As a bookseller, I appreciate the dificulties involved but it is worth it - it's a piece of history, a fantastic series and generally good for the book industry.

    Thanks John for being the first dissenting voice, if only for some balance. However, if anyone can be accused of being Scrooge-like I suspect it is not us. You may be wanting to look towards Soho Square for some of those.

    Your story is not an isolated one Mad Muthas. For the last Harry Potter hardback, Waterstone's could have achieved a better deal if they got their sister company HMV to buy the stock for them as HMV bought through a wholesaler. Actually, for a while Waterstone's bought all Harry Potter books from THE rather than Bloomsbury as it was more cost-effective.

    1. I can't decide to get it from Asda or Amazon - Which is really a midnight or morning question for getting my hands on it.

    2. What ever J.K writes next is going to be nowhere near as popular. Bloomsbury is going to milk it for everything they can, though they'd better stop haemorrhaging that war chest they have.

    3. You can't blame Harry.

    "Bloomsbury is going to milk it for everything they can"

    Who's to say that Bloomsbury will actually publish Rowling's next book? Even if it's adult fiction as is rumored (and further to the rumor is that it'll be a crime novel) I'd imagine the bidding war amongst publishers would be very steep.* Certainly in the US, since Scholastic is a kids-only publisher and the adult trade houses would be foaming at the mouth to overpay significantly for the book.

    *Having said that, I could also see Bloomsbury pre-empting before anyone else had a shot at it.

    Thanks for your comments Scott. I love that you give people answers to their half-baked questions!

    Having worked for Waterstones, an independent bookstore and a couple of publishers, I don't really think there is a way to handle Harry Potter in a way that will keep everyone happy. I like the idea of an special edition for independents, but then wouldn't Bloomsbury be accused of gouging fans for more money?

    Anyway, I really don't know how you please the readers, independent bookstores, Waterstones/the chains, the supermarkets, the media and international partners. Your answer was definitely better than some I've read this week though! : )

    OK Scott, another challenge for you. What would you do if you were an independent bookseller on July 21st? Obviously this is a blatant (and obvious) pitch for some free consultancy, but I'll share with you our thoughts and see what you think.

    As an independent bookseller for all of, ooh, 7 months, the whole Harry Potter launch date announcement has made me feel like a 17 year-old in 1914, with one week's bayonet training about to be shipped off to the trenches. It scares the beejeesus out of me!

    As a bookshop with a growing reputation for our children's room, not stocking doesn't seem an option. We discussed this with another independent bookseller last year, and they sold tickets for a magical midnight event, which included the book into the price, and which just happened to not unadjacent to the RRP.

    So - our thought is. Huge value-added event, create a magical experience for the kids that they will never forget, as this is possibly the last time a book launch quite like this will ever happen (as Steerforth alluded to). Forget the profit, focus on improving the brand loyalty amongst regulars.

    Too naive and optimistic?

    Unless JKR is very unhappy indeed with the job Bloomsbury have done on HP - unlikely one would have thought - then she is 99.99999% likely to stay loyal to them when it comes to her adult crime novel.
    And that will sell as well as HP. I`d put money on it.

    But will her crime novel generate a Lego toyset?

    Is the HP buzz as massive as it seems at first glance.

    I'm sick of HP media blasts.

    My grandsons' are sick of reading HP books.

    I've come to the conclusion HP books are bought by kids for their parents: in how to understand why they (parents) are big kids living in the past.

    Quote:i have a friend...send the copies back to the warehouse, drive up to tesco, buy a shedload, peel the stickers of and sell them in her store.
    only common sense!

    Now this, I like.
    Solves the problem for 'the little guy' and points out just how silly things have gotten.


    What a fabulous post. I liked HP when I was eight but at sixteen have long-ago leaped onto proper books. I think that what's good about the books (which I actually detest) is that they got a lot of people reading who previously wouldn't pick up a book. But for the most part I think that they need far more careful editing - they just drag on so, surely at least half could be cut out for a more concise, clean read? And I disagree with the very first comment to this post - if my memory serves me correctly, Waterstones are pretty evil themselves: I read a piece about the price the retailer charges to publishing houses for a place on their Top Ten list or something. Though I also dislike the whole supermarket-retailling phenomenon.

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