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    Quick Flicks

    • Adam Thirlwell: The Escape

      Adam Thirlwell: The Escape
      Politics, Thirlwell's debut, was a reasonable, if immediately forgettable attempt to emulate Kundera - slight but charming. This follow up after a seven year wait lacks that charm and is, instead, a bit irritating. (**)

    • Richard Asplin: Conman

      Richard Asplin: Conman
      With a quote from Tony Parsons on the front and a comparison with Ben Elton on the back this is a book I wouldn't normally touch with a bargepole but it is much better than those namedrops would suggest. When Neil's business falls on hard times he befriends a dodgy conman - and then things really start to go breasts uppermost. More Jake Arnott than Tony Parsons - thank god. (***)

    • Max Frisch: I'm Not Stiller

      Max Frisch: I'm Not Stiller
      Kafka-esque novel about a man in prison who claims not to be Anatol Ludwig Stiller despite all the evidence to the contrary, including the fact that his wife, mistress and brother all say that he is. I must find out where this one goes. (****)

    • Megan Abbott: Queenpin

      Megan Abbott: Queenpin
      The wonderful retro cover reflects the wonderful retro content full of mobsters, casinos, women with legs to die for and other assorted cliches handled with aplomb. (****)

    • Chuck Palahniuk: Pygmy

      Chuck Palahniuk: Pygmy
      Whether you go for this or not pretty much depends on how you respond to the broken pidgin English used by the narrator - an exchange student visiting the US from some strange invented hybrid Communist state. It annoyed me, so I gave up. You may have more patience. (**)

    • Robert Twigger: Dr Ragab's Universal Language

      Robert Twigger: Dr Ragab's Universal Language
      An unusual, surreal and genuinely intriguing novel from a writer more used to non-fiction. This gorgeous hardback has lured me in and I plan to read on. (***)

    • David Denby: Snark

      David Denby: Snark
      Oh this is good. A measured, amusing and incisive attack on 'snarking' - the low-grade, insult-based journalism and humour which seems very much the rage at the moment. Essential reading for Nick Cohen and Tim Adams methinks. Oh, and probably for me too. (****)

    • Yael Politis: Lonely Tree

      Yael Politis: Lonely Tree
      An engaging and enlightening novel set around the formation of the state of Israel. Politics, history, family and love are combined well with echoes of Louis de Bernieres at his most readable. (***)

    • William Shakespeare: The Tempest

      William Shakespeare: The Tempest
      Another take on the Shakespeare graphic novel. I realise it is sacrilegious to say this but, for me, there was too much of the text and not enough of the pictures. I would have preferred for more of the story to be told through the images. (***)

    • Josa Young: One Apple Tasted

      Josa Young: One Apple Tasted
      Far too much pink on the cover to be aimed at me, and clearly designed for the classier end of the women's fiction market, but an entertaining read nonetheless. Three narratives - one each from the 1930s, 50s and 80s - combine to explore how past events can impact on future generations. (***)

    • Jacob Polley: Talk of the Town

      Jacob Polley: Talk of the Town
      It's a personal thing but I often struggle with books written in the vernacular. I either have to skim read so that it doesn't bog me down or go extra slow to work out what it all means. Either way removes a great deal of the reading pleasure. This debut, set in 80s Carlisle, has too many affternoons, watters and dropped G's for my liking. (**)

    • Stan Cattermole: Bete De Jour: The Intimate Adventures of an Ugly Man

      Stan Cattermole: Bete De Jour: The Intimate Adventures of an Ugly Man
      Stan Cattermole is an ugly man. A very ugly man. Join jim as he searches for love, although a quick shag would do. This is a true story - painfully honest and painfully funny. I hope to welcome the author to the blog very soon. (****)

    • Terri Wiltshire: Carry Me Home

      Terri Wiltshire: Carry Me Home
      This confused me as it has a similar opening to Scottsboro by Ellen Feldman which is also published by Macmillan. Where this one differs is that it adds a parallel modern narrative and after my initial deja vu moment this did grow on me. (***)

    • Emma Vieceli: Manga Shakespeare: Much Ado About Nothing

      Emma Vieceli: Manga Shakespeare: Much Ado About Nothing
      All the wit and energy of Branagh's film adaptation but in comic book form. Perfect study aid. Almost made me like Shakespeare. (****)

    • Megan Abbott: The Song is You

      Megan Abbott: The Song is You
      I love how Pocket Books has packaged this series of crime novels. Both cover and contents hark back to pulp classics of the 40s and 50s. Great entertainment. (****)

    • Maggie Dana: Beachcombing

      Maggie Dana: Beachcombing
      An edgy romance about getting back with an old flame - 35 years on! At the more sophisticated end of the genre this will appeal equally to chicklit fans and those of a more literary persuasion. Perfect summer reading. (***)

    • Dale Peck: Sprout

      Dale Peck: Sprout
      A gay teenager with green hair moves with his father from New York to Kansas. They do things differently there. A coming of age novel with some verve and edge. A great books for teenagers to read. (***)

    • Shannon Burke: Black Flies

      Shannon Burke: Black Flies
      A novel about a paramedic set in 1990s Harlem. Lots of gore and action. I am a bit suspicious of the lack of boring and pointless calls that Tom Reynolds describes so well in Blood Sweat & Tea but this is a compelling read so far. (***)

    • Aleksandar Hemon: Love and Obstacles

      Aleksandar Hemon: Love and Obstacles
      I tried three of the stories but just couldn't get in to any of them. (**)

    • Jessica Ruston: Luxury

      Jessica Ruston: Luxury
      Remember the guilty pleasure of reading a Harold Robbins or a Judith Krantz? Jess has brought the old-fashioned blockbuster bang up to date. This could be quite a ride. (***)

    • Diana Mosley: The Pursuit of Laughter

      Diana Mosley: The Pursuit of Laughter
      A worthy addition to the ever-growing Mitford library. This collection of articles, reviews and diary entries is perfect for dipping into on these long summer evenings. (****)

    • China Mieville: The City and the City

      China Mieville: The City and the City
      Mieville has carved a popular sci-fi/fantasy niche with his books to date. This is more of a crime thriller but still set in an imagined world. Can't say it has grabbed me so far but I should probably read some of his other stuff first. (***)

    • Tim Murgatroyd: Taming Poison Dragons

      Tim Murgatroyd: Taming Poison Dragons
      An epic novel of old China. I confess I found the narrative a little stilted, reading more like an old-fashioned translation, which was probably what the author was trying for but it bugged me. (**)

    • Tim Burrows: From CBGB to the Roundhouse

      Tim Burrows: From CBGB to the Roundhouse
      'Why do so many music venues close when art galleries and museums are preserved?' - a good question from the author which sets the tone for this interesting and entertaining study. (***)

    • Julian Evans: Semi-invisible Man: The Life of Norman Lewis

      Julian Evans: Semi-invisible Man: The Life of Norman Lewis
      I have never read any Lewis, although I have his final book on my shelves. The preface of this book, which reads like the perfect essay on the art of biography, impressed me so much that I will have to read more. (****)

    • Jenn Ashworth: A Kind of Intimacy

      Jenn Ashworth: A Kind of Intimacy
      I have two friends who are obsessed by morbidly obese people and they will love this. I enjoyed it too. Narrated by an XXL woman as she tries to make a fresh start in life. Funny, sexy and slightly odd. (***)

    • Caroline Rance: Kill-Grief

      Caroline Rance: Kill-Grief
      18th century Chester. A young nurse with a secret to hide starts work at a new hospital. This reminded me of The Observations by Jane Harris and is recommended to anyone who enjoyed that book. I will read more of this soon. (***)

    • Muriel Barbery: The Gourmet

      Muriel Barbery: The Gourmet
      In a wonderful example of linked novels, this prequel fleshes out the story of the food critic from current bestseller The Elegance of the Hedgehog. Here we find him on his deathbed, desperate to recall a forgotten flavour from his youth. A small tasty morsel and the perfect accompaniment to one of the sleeper hits of this year. (***)

    • Giancarlo de Cataldo: Father and the Foreigner, The

      Giancarlo de Cataldo: Father and the Foreigner, The
      The fathers of two disabled sons become friends but their relationship takes a sinister turn. A most intriguing Italian novel. Quite short too, and one I shall definitely be finishing off soon. (****)

    • Chris Simms: The Edge

      Chris Simms: The Edge
      Simms writes gritty, down to earth crime fiction to rival the very best of them. And he isn't scared of killing off a major recurring character in this latest instalment. If you like crime and have yet to read his work then might I suggest you get your bloody finger out. (***)

    • Chris Ewan: The Good Thief's Guide to Paris

      Chris Ewan: The Good Thief's Guide to Paris
      A crime series narrated by a thief who is also a crime writer. Like a circle in a circle like a wheel inside a wheel. One of the more imaginative and original crime writers around at the moment and a series of books (the first one is set in Amsterdam) that I am sure is destined for big things. (****)

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    • Scott Pack is Publisher at The Friday Project, an imprint of HarperCollins.
    • "Like an extra in one of those 'it's grim up north London' cartoons in Private Eye" - The Observer
    • "A bull-necked, shaven-headed former pop music salesman" - New Statesman

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    • A rather pointless competition in which we attempt to find car number plates in sequence.

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    June 16, 2007

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    Comments

    Just before that book was published in France, in 1981 (or 82), I spent an afternoon with Salman Rushdie and his French editor. She was a friend and had been *my* editor too when I had worked as a literary translator in Paris a few years earlier. We met in a flat in Bedford Square (which belonged to the publisher Ernest Hecht) and had tea and cakes. I wish I could remember what Rushdie said; unfortunately, I developed a terrible migraine halfway through the proceedings and had to take my leave a little prematurely. I don’t think he was to blame for it. More likely the excitement of meeting *the* most famous British writer of the period had taken its toll. I’m sure I could find quite a detailed account in my diary for that year, but right now all I remember is that he already struck me as arrogant and fairly humourless, although not as much as he became later on: after all, he had to be ‘nice’ to his editor, who was (and still is) an important force in French publishing.

    I’ve never read Midnight’s Children: a few pages skimmed standing up in a bookshop convinced me it wasn’t for me.

    At least you read it. Seem to be a lot of people objecting to SR's gong who haven't...

    At least those of us who resisted the hype do not regret wasting two weeks of our lives reading it.

    Have you also read The Bone People by Keri Hulme?

    It was twice as bad for me; I took a month to read half of it before putting it down...

    I really dislike the Rushdie books that I've read, but I have found myself in the position of defending his knighthood. It seems like everyone who objects to him becoming Sir Salman is doing so because the Satanic Verses offended some Muslims, not because he's a really dull writer.

    Hey Scott, Och, I feel I have to defend 'Midnight's Children' here, though I am not really a fan of Salman or his other writing ('The Moor's Last Sigh' is on my bookshelf, still unopened, since we queued up, airport security style, to see him read years ago). I read 'Midnight's Children' in 1984 - I admit I had to start it three or four times, but I became hooked, I was very ill at the time, bedridden, and reading this book became my long term project, my goal. I was overjoyed when I managed to finish it, and although I can hardly remember it now (Parvati-the-witch is the only character who sticks in my head) I still rate it as one of my favourite books. I probably should re-read it though.

    Looks like I'll have to step up to the plate. I defend Rushdie on the basis that I enjoyed The Satanic Verses enough to read it twice. Midnight's Children I completed but did struggle with much of the time, though I definitely intend to reread it. Shame and The Ground Beneath Her Feet I gave up on. The Moor's Last Sigh (which was vivid and brilliant when I heard him reading from it: maybe Rushdie audiobooks are the way forward) and Shalimar the Clown are in my to-be-read pile. On balance I still think of him as a force for good.

    I blame Midnight's Children for leaving my book club. After deferring discussion for three meetings due to it 'being so long' I was then forced to admit not completing it in the fourth meeting, at which point one rather serious minded member was close to hitting me. . . the book having been my suggestion in the first place.
    I never have completed it, but I love it more than most others. Are all books meant to be finished?

    I've never finished Perfume. I loved it, I loved it so much I never wanted it to end. By not reading the last chapter it hasn't ended. At least not for me.

    Someone did tell me what happened the other day and now I am glad I haven't finished it. I fear I would have been disappointed.

    I'm with Tess, “Focus on the journey, not the destination. Joy is found not in finishing an activity but in doing it.”

    I'll admit that I approached "Midnight's Children" with trepidation, but I found it to be a superb book, clever, funny and engaging. I have to confess I haven't read any Rushdie since, a solecism for which I nightly berate myself.

    A knighthood? Seriously? What on earth has he ever done to deserve a knighthood?

    Read his books? Why?

    He may be a decent writer (and even that's debatable), but there are far better authors out there and I don't see Ian Banks getting any knighthoods. Perhaps I'm letting my personal dislike for the man cloud my judgement, but seriously, what are the criteria? Who decided that we'd all have to call him "Sir Rushdie" from now on and why?

    Perhaps it is more knighthoods we should be giving, not less? We should give more writers knighthoods, not for a whole book or many books, but for perfect phrases. Collections of words that sing to us, that make us feel good to be alive, to be human, to be able to read and hear. . . :-) Here's to lots and lots of literary Sirs!!!

    "Things - even people - have a way of leaking into each other,' I explain, 'like flavours when you cook. . . the past has dripped into me . . . so we can't ignore it. . .' Her shrug, which does pleasantly wavy things to her chest, cuts me off" Midnight's Children p38

    Octavo, Iain Banks for a knighthood, are you serious? I thought everyone agreed he went off the boil either 15 or 20 years ago (depending on viewpoint). Plus the man's an old-style socialist and would never accept it even if offered.

    It would indeed be odd to call him Sir Rushdie. Sir Salman would probably do fine.

    Anyway I came here to say that I've just finished reading Shalimar the Clown, and Scott will be mildly irritated (but really not care much) to know that Rushdie has gone up in my estimation:

    http://theasylum.wordpress.com/2007/06/27/salman-rushdie-shalimar-the-clown/

    It's a cracking read, and possibly a masterpiece I'm afraid.

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