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    Quick Flicks

    • David Denby: Snark

      David Denby: Snark
      Oh this is good. A measured, amusing and incisive attack on 'snarking' - the low-grade, insult-based journalism and humour which seems very much the rage at the moment. Essential reading for Nick Cohen and Tim Adams methinks. Oh, and probably for me too. (****)

    • Yael Politis: Lonely Tree

      Yael Politis: Lonely Tree
      An engaging and enlightening novel set around the formation of the state of Israel. Politics, history, family and love are combined well with echoes of Louis de Bernieres at his most readable. (***)

    • William Shakespeare: The Tempest

      William Shakespeare: The Tempest
      Another take on the Shakespeare graphic novel. I realise it is sacrilegious to say this but, for me, there was too much of the text and not enough of the pictures. I would have preferred for more of the story to be told through the images. (***)

    • Josa Young: One Apple Tasted

      Josa Young: One Apple Tasted
      Far too much pink on the cover to be aimed at me, and clearly designed for the classier end of the women's fiction market, but an entertaining read nonetheless. Three narratives - one each from the 1930s, 50s and 80s - combine to explore how past events can impact on future generations. (***)

    • Jacob Polley: Talk of the Town

      Jacob Polley: Talk of the Town
      It's a personal thing but I often struggle with books written in the vernacular. I either have to skim read so that it doesn't bog me down or go extra slow to work out what it all means. Either way removes a great deal of the reading pleasure. This debut, set in 80s Carlisle, has too many affternoons, watters and dropped G's for my liking. (**)

    • Stan Cattermole: Bete De Jour: The Intimate Adventures of an Ugly Man

      Stan Cattermole: Bete De Jour: The Intimate Adventures of an Ugly Man
      Stan Cattermole is an ugly man. A very ugly man. Join jim as he searches for love, although a quick shag would do. This is a true story - painfully honest and painfully funny. I hope to welcome the author to the blog very soon. (****)

    • Terri Wiltshire: Carry Me Home

      Terri Wiltshire: Carry Me Home
      This confused me as it has a similar opening to Scottsboro by Ellen Feldman which is also published by Macmillan. Where this one differs is that it adds a parallel modern narrative and after my initial deja vu moment this did grow on me. (***)

    • Emma Vieceli: Manga Shakespeare: Much Ado About Nothing

      Emma Vieceli: Manga Shakespeare: Much Ado About Nothing
      All the wit and energy of Branagh's film adaptation but in comic book form. Perfect study aid. Almost made me like Shakespeare. (****)

    • Megan Abbott: The Song is You

      Megan Abbott: The Song is You
      I love how Pocket Books has packaged this series of crime novels. Both cover and contents hark back to pulp classics of the 40s and 50s. Great entertainment. (****)

    • Maggie Dana: Beachcombing

      Maggie Dana: Beachcombing
      An edgy romance about getting back with an old flame - 35 years on! At the more sophisticated end of the genre this will appeal equally to chicklit fans and those of a more literary persuasion. Perfect summer reading. (***)

    • Dale Peck: Sprout

      Dale Peck: Sprout
      A gay teenager with green hair moves with his father from New York to Kansas. They do things differently there. A coming of age novel with some verve and edge. A great books for teenagers to read. (***)

    • Shannon Burke: Black Flies

      Shannon Burke: Black Flies
      A novel about a paramedic set in 1990s Harlem. Lots of gore and action. I am a bit suspicious of the lack of boring and pointless calls that Tom Reynolds describes so well in Blood Sweat & Tea but this is a compelling read so far. (***)

    • Aleksandar Hemon: Love and Obstacles

      Aleksandar Hemon: Love and Obstacles
      I tried three of the stories but just couldn't get in to any of them. (**)

    • Jessica Ruston: Luxury

      Jessica Ruston: Luxury
      Remember the guilty pleasure of reading a Harold Robbins or a Judith Krantz? Jess has brought the old-fashioned blockbuster bang up to date. This could be quite a ride. (***)

    • Diana Mosley: The Pursuit of Laughter

      Diana Mosley: The Pursuit of Laughter
      A worthy addition to the ever-growing Mitford library. This collection of articles, reviews and diary entries is perfect for dipping into on these long summer evenings. (****)

    • China Mieville: The City and the City

      China Mieville: The City and the City
      Mieville has carved a popular sci-fi/fantasy niche with his books to date. This is more of a crime thriller but still set in an imagined world. Can't say it has grabbed me so far but I should probably read some of his other stuff first. (***)

    • Tim Murgatroyd: Taming Poison Dragons

      Tim Murgatroyd: Taming Poison Dragons
      An epic novel of old China. I confess I found the narrative a little stilted, reading more like an old-fashioned translation, which was probably what the author was trying for but it bugged me. (**)

    • Tim Burrows: From CBGB to the Roundhouse

      Tim Burrows: From CBGB to the Roundhouse
      'Why do so many music venues close when art galleries and museums are preserved?' - a good question from the author which sets the tone for this interesting and entertaining study. (***)

    • Julian Evans: Semi-invisible Man: The Life of Norman Lewis

      Julian Evans: Semi-invisible Man: The Life of Norman Lewis
      I have never read any Lewis, although I have his final book on my shelves. The preface of this book, which reads like the perfect essay on the art of biography, impressed me so much that I will have to read more. (****)

    • Jenn Ashworth: A Kind of Intimacy

      Jenn Ashworth: A Kind of Intimacy
      I have two friends who are obsessed by morbidly obese people and they will love this. I enjoyed it too. Narrated by an XXL woman as she tries to make a fresh start in life. Funny, sexy and slightly odd. (***)

    • Caroline Rance: Kill-Grief

      Caroline Rance: Kill-Grief
      18th century Chester. A young nurse with a secret to hide starts work at a new hospital. This reminded me of The Observations by Jane Harris and is recommended to anyone who enjoyed that book. I will read more of this soon. (***)

    • Muriel Barbery: The Gourmet

      Muriel Barbery: The Gourmet
      In a wonderful example of linked novels, this prequel fleshes out the story of the food critic from current bestseller The Elegance of the Hedgehog. Here we find him on his deathbed, desperate to recall a forgotten flavour from his youth. A small tasty morsel and the perfect accompaniment to one of the sleeper hits of this year. (***)

    • Giancarlo de Cataldo: Father and the Foreigner, The

      Giancarlo de Cataldo: Father and the Foreigner, The
      The fathers of two disabled sons become friends but their relationship takes a sinister turn. A most intriguing Italian novel. Quite short too, and one I shall definitely be finishing off soon. (****)

    • Chris Simms: The Edge

      Chris Simms: The Edge
      Simms writes gritty, down to earth crime fiction to rival the very best of them. And he isn't scared of killing off a major recurring character in this latest instalment. If you like crime and have yet to read his work then might I suggest you get your bloody finger out. (***)

    • Chris Ewan: The Good Thief's Guide to Paris

      Chris Ewan: The Good Thief's Guide to Paris
      A crime series narrated by a thief who is also a crime writer. Like a circle in a circle like a wheel inside a wheel. One of the more imaginative and original crime writers around at the moment and a series of books (the first one is set in Amsterdam) that I am sure is destined for big things. (****)

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    Who?

    • Scott Pack is Publisher at The Friday Project, an imprint of HarperCollins.
    • "Like an extra in one of those 'it's grim up north London' cartoons in Private Eye" - The Observer
    • "A bull-necked, shaven-headed former pop music salesman" - New Statesman

    Dipping Into

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    Bet Of The Day

    • FINAL STANDINGS

      Scott +£36.16

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    Consecutive Number Plate Spotting

    • A rather pointless competition in which we attempt to find car number plates in sequence.

      Me = 27

      Ethan = 60

      Martha = 20

      Marie = 68

    « Guest Bloggers: Ethan & Martha | Main | A Taster For Books Of The Year »

    December 11, 2007

    Interview: Chris Simms

    Chris Simms is a crime novelist whose work I have blogged about before.  He is one of the rising stars of the genre and kindly agreed to be grilled by me for this site.

    Pecking SP:  The first book of yours I read was Pecking Order.  What inspired you to set a crime novel around a battery farm?
    CS:  I worked on one as a teenager – for all of three hours before walking out. The experience obviously haunted me. I was also interested in the tendency of people to willingly commit atrocities if they believe authority is behind them. (Think recent events in Abu Ghraib.) The battery farm employed plenty of people who killed chickens for amusement – so in Pecking Order I had one of them duped into believing he had been enrolled as an agent on a very secret, very sinister, Government project. 

    SP:  There is a strong sense of place and location in your novels and notably the plots shifted to Manchester in recent books.  Does that reflect your own movements or was there another reason for this?
    CS:  To be honest, when I moved publishers to Orion they expressed a strong desire to see me write a few books set very firmly in Manchester. I am influenced by my surroundings and, though I’ve now lived here over 10 years, I still find the city fascinating.

    SP:  Also, you have opted for a recurring central character, DI Jon Spicer, in the last three novels.  Was that a deliberate attempt to cultivate a series feel for your books? CS:  Yes – I wanted to establish a lead character a few years younger than me so I could, over the course of a few books, have him go through all the life stages I’ve been through. (Marriage, kids, career hassles, grudgingly accepting you’re too old to play competitive sport, losing the ability to party for more than one night in a row etc.) A great by-product of this is how he’s grown with each novel to become his own person.

    SP:  What, for you as a reader, makes for a great crime novel?
    CS:  I think tension – the must-turn-the-page stuff you can weave into plots that involve life and death. Plus glimpses into truly cracked minds.

    SP:  And how do you try to address those areas as a writer?
    CS:  Tension is as simple as cutting between viewpoints – but doing so at precisely the right moment. I picture it like spinning plates, running back and forth giving a quick tweak here, a quick tweak there… As for glimpses into cracked minds, I don’t know…it seems to come naturally somehow!

    SP:  A question about the mechanics of writing for you.  How do you do it?  Desk or laptop?  Silence or music?  Disciplined or lazy?  What is your routine?
    CS:  I’m very monastic – a small, silent room with a desk, pad and pencil. No phone, internet or music. I have to be very disciplined because my opportunity to write occurs only on Wednesdays and Fridays between 9.15 in the morning and lunch. (After I’ve dropped the older kids off at school and before the toddler-terror-twins get back from nursery.) The other days I’m in an advertising agency doing freelance work.

    SP:  What are you working on next?
    CS:  I’m currently a good way into the 5th DI Spicer novel. His wayward younger brother, Dave, has been chopped into bits and left in bin bags on top of a Peak District hill. DI Spicer’s violent temper is set to really go off in this one.

    Joe SP:  Who would play DI Spicer if you could pick any actor for a screen version?
    CS:  He’s 6’4” and 15 ½ stone. If you’re familiar with England’s rugby team, a player called Joe Worsley really fits the bill.

    SP:  And finally, I always ask guests at the blog to recommend a favourite book.  What would you pick?
    CS:  He hasn’t fared too well at your hands, but I’ll go for Cormac McCarthy and his novel, Blood Meridian. It’s surreal, yet utterly convincing and it has a passage so powerful you’re left gulping for breath.

    So there you have it, some interesting insights into the commercial decisions behind writing novels.  It is also remarkable that he is able to write with so small a window of opportunity.  I have greatly enjoyed Chris' books and do recommend them if you like a bit of crime.  He was recently selected as one of the Waterstone's 25 authors for the future so it isn't just me saying that.

    His latest novel is Savage Moon which I reviewed here some time ago.

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    Comments

    Very well done, Scott, it's a quite stirring and vivid interview. Though i don't agree so much with 'tension' as the most important ingredient for a good crime novel. Much more since the particular genre has upgraded itself to the high quality shelves of literature with writers like Camilleri, Ignatio Taibo, Tierry Jonquet, Yasmina Khadra pointing more to a mixture of fine intelligence and excellent literature. Though i do reckon that there are a few different genres into the largest area of crime novel with quite distinguished lines between them. For example Montalban's or Simenon's way had nothing to do with Ruth Rendell or even Ian Rankin.
    Also a quite remarkable case for me, is Alexandra Marinina, with her books translated in 25 languages.

    I agree totally though about Blood Meridian, it had blown me away too!

    As a teen, I worked in a battery farm a gazillion years ago. Seems things haven't changed much. Chickens are the dumbest creatures on earth and quite vicious when you're trying to collect their eggs. I wore leather gloves, yet they still managed to skewer me.

    'Savage Moon' didn't appeal but I want to read 'Pecking order', must pop over to The Friday Project and see if you've got it for sale.

    Scott - Read 'Between the Lines' after your earlier Chris Simms post. Really enjoyed it - depsite the ridiculous coincidence that brings the book to a climax - so will be getting more Chris Simms books. Chris's portrayals of the two 'weirdos' in the book were worryingly well done, so I was releived to see in this interview that he some over as quite normal.

    Like you I am a sucker for books in a series so will look forward to the DI Spicer novels.

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    Popcorn Moment

    • : Priceless

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      Cracking French comedy with touches of Breakfast at Tiffanys. It is entirely possible that it isn't quite as funny, charming and entertaining as I recall as I was somewhat distracted by Audrey Tautou looking impossibly gorgeous throughout. Jawdropping. (****)

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