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    Quick Flicks

    • David Denby: Snark

      David Denby: Snark
      Oh this is good. A measured, amusing and incisive attack on 'snarking' - the low-grade, insult-based journalism and humour which seems very much the rage at the moment. Essential reading for Nick Cohen and Tim Adams methinks. Oh, and probably for me too. (****)

    • Yael Politis: Lonely Tree

      Yael Politis: Lonely Tree
      An engaging and enlightening novel set around the formation of the state of Israel. Politics, history, family and love are combined well with echoes of Louis de Bernieres at his most readable. (***)

    • William Shakespeare: The Tempest

      William Shakespeare: The Tempest
      Another take on the Shakespeare graphic novel. I realise it is sacrilegious to say this but, for me, there was too much of the text and not enough of the pictures. I would have preferred for more of the story to be told through the images. (***)

    • Josa Young: One Apple Tasted

      Josa Young: One Apple Tasted
      Far too much pink on the cover to be aimed at me, and clearly designed for the classier end of the women's fiction market, but an entertaining read nonetheless. Three narratives - one each from the 1930s, 50s and 80s - combine to explore how past events can impact on future generations. (***)

    • Jacob Polley: Talk of the Town

      Jacob Polley: Talk of the Town
      It's a personal thing but I often struggle with books written in the vernacular. I either have to skim read so that it doesn't bog me down or go extra slow to work out what it all means. Either way removes a great deal of the reading pleasure. This debut, set in 80s Carlisle, has too many affternoons, watters and dropped G's for my liking. (**)

    • Stan Cattermole: Bete De Jour: The Intimate Adventures of an Ugly Man

      Stan Cattermole: Bete De Jour: The Intimate Adventures of an Ugly Man
      Stan Cattermole is an ugly man. A very ugly man. Join jim as he searches for love, although a quick shag would do. This is a true story - painfully honest and painfully funny. I hope to welcome the author to the blog very soon. (****)

    • Terri Wiltshire: Carry Me Home

      Terri Wiltshire: Carry Me Home
      This confused me as it has a similar opening to Scottsboro by Ellen Feldman which is also published by Macmillan. Where this one differs is that it adds a parallel modern narrative and after my initial deja vu moment this did grow on me. (***)

    • Emma Vieceli: Manga Shakespeare: Much Ado About Nothing

      Emma Vieceli: Manga Shakespeare: Much Ado About Nothing
      All the wit and energy of Branagh's film adaptation but in comic book form. Perfect study aid. Almost made me like Shakespeare. (****)

    • Megan Abbott: The Song is You

      Megan Abbott: The Song is You
      I love how Pocket Books has packaged this series of crime novels. Both cover and contents hark back to pulp classics of the 40s and 50s. Great entertainment. (****)

    • Maggie Dana: Beachcombing

      Maggie Dana: Beachcombing
      An edgy romance about getting back with an old flame - 35 years on! At the more sophisticated end of the genre this will appeal equally to chicklit fans and those of a more literary persuasion. Perfect summer reading. (***)

    • Dale Peck: Sprout

      Dale Peck: Sprout
      A gay teenager with green hair moves with his father from New York to Kansas. They do things differently there. A coming of age novel with some verve and edge. A great books for teenagers to read. (***)

    • Shannon Burke: Black Flies

      Shannon Burke: Black Flies
      A novel about a paramedic set in 1990s Harlem. Lots of gore and action. I am a bit suspicious of the lack of boring and pointless calls that Tom Reynolds describes so well in Blood Sweat & Tea but this is a compelling read so far. (***)

    • Aleksandar Hemon: Love and Obstacles

      Aleksandar Hemon: Love and Obstacles
      I tried three of the stories but just couldn't get in to any of them. (**)

    • Jessica Ruston: Luxury

      Jessica Ruston: Luxury
      Remember the guilty pleasure of reading a Harold Robbins or a Judith Krantz? Jess has brought the old-fashioned blockbuster bang up to date. This could be quite a ride. (***)

    • Diana Mosley: The Pursuit of Laughter

      Diana Mosley: The Pursuit of Laughter
      A worthy addition to the ever-growing Mitford library. This collection of articles, reviews and diary entries is perfect for dipping into on these long summer evenings. (****)

    • China Mieville: The City and the City

      China Mieville: The City and the City
      Mieville has carved a popular sci-fi/fantasy niche with his books to date. This is more of a crime thriller but still set in an imagined world. Can't say it has grabbed me so far but I should probably read some of his other stuff first. (***)

    • Tim Murgatroyd: Taming Poison Dragons

      Tim Murgatroyd: Taming Poison Dragons
      An epic novel of old China. I confess I found the narrative a little stilted, reading more like an old-fashioned translation, which was probably what the author was trying for but it bugged me. (**)

    • Tim Burrows: From CBGB to the Roundhouse

      Tim Burrows: From CBGB to the Roundhouse
      'Why do so many music venues close when art galleries and museums are preserved?' - a good question from the author which sets the tone for this interesting and entertaining study. (***)

    • Julian Evans: Semi-invisible Man: The Life of Norman Lewis

      Julian Evans: Semi-invisible Man: The Life of Norman Lewis
      I have never read any Lewis, although I have his final book on my shelves. The preface of this book, which reads like the perfect essay on the art of biography, impressed me so much that I will have to read more. (****)

    • Jenn Ashworth: A Kind of Intimacy

      Jenn Ashworth: A Kind of Intimacy
      I have two friends who are obsessed by morbidly obese people and they will love this. I enjoyed it too. Narrated by an XXL woman as she tries to make a fresh start in life. Funny, sexy and slightly odd. (***)

    • Caroline Rance: Kill-Grief

      Caroline Rance: Kill-Grief
      18th century Chester. A young nurse with a secret to hide starts work at a new hospital. This reminded me of The Observations by Jane Harris and is recommended to anyone who enjoyed that book. I will read more of this soon. (***)

    • Muriel Barbery: The Gourmet

      Muriel Barbery: The Gourmet
      In a wonderful example of linked novels, this prequel fleshes out the story of the food critic from current bestseller The Elegance of the Hedgehog. Here we find him on his deathbed, desperate to recall a forgotten flavour from his youth. A small tasty morsel and the perfect accompaniment to one of the sleeper hits of this year. (***)

    • Giancarlo de Cataldo: Father and the Foreigner, The

      Giancarlo de Cataldo: Father and the Foreigner, The
      The fathers of two disabled sons become friends but their relationship takes a sinister turn. A most intriguing Italian novel. Quite short too, and one I shall definitely be finishing off soon. (****)

    • Chris Simms: The Edge

      Chris Simms: The Edge
      Simms writes gritty, down to earth crime fiction to rival the very best of them. And he isn't scared of killing off a major recurring character in this latest instalment. If you like crime and have yet to read his work then might I suggest you get your bloody finger out. (***)

    • Chris Ewan: The Good Thief's Guide to Paris

      Chris Ewan: The Good Thief's Guide to Paris
      A crime series narrated by a thief who is also a crime writer. Like a circle in a circle like a wheel inside a wheel. One of the more imaginative and original crime writers around at the moment and a series of books (the first one is set in Amsterdam) that I am sure is destined for big things. (****)

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    • Scott Pack is Publisher at The Friday Project, an imprint of HarperCollins.
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    Consecutive Number Plate Spotting

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    May 16, 2008

    The Best Of The Rest Of The Booker: The Public Vote

    Our esteemed panel have spoken and between them come up with a list of 10 novels that should have won the Booker Prize but didn't.  It is now up to you to vote for a winner.  If you have no idea what I am going on about click here for some background.

    The poll will stay open until the 9th July and the winner will be announced on the morning of the 10th.  Later that day the actual Best of the Booker is awarded and we'd hate to steal its thunder. 

    500 people a day visit this site and it would be great if a decent chunk of you could vote.  It is meant to be a bit of fun and I'd love you to join in. Oh, and tell your friends, link to this post, spread the word. It would be great to get as many people participating as possible.

    And the prize?  I will bake a cake for the winner.  Assuming they are still alive, of course.  And are prepared to accept a cake from me.  Lemon drizzle is my speciality but I can be flexible on that.  One of them is bound to be allergic to something.

    Once you have voted feel free to comment and let us know which one you plumped for.  Or if you think we've got the shortlist completely wrong then grumble and moan, no one will mind.

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    Comments

    I have voted but it was such a struggle to choose just one. Will go back to mine now and put up a link back to this post.

    Are these titles listed in ranking order Scott? I guess I was the only judge to nominate Brian Moore's The Doctor's Wife then!

    Touch choice, but it's got to be Cloud Atlas.

    Touch choice, but it's got to be Cloud Atlas.

    Tricky one. I voted for Cloud Atlas too because I thought it was so stunningly original and unique. The only novel I've read in years that actually made me want to write an A-level-style essay about its brilliance!

    Oh and I voted for Colm Toibin's The Master. 2004 was a damn good year for the Booker, with Mitchell, Hollinghurst, Toibin, and Gerard Woodward's magnificent I'll Go to Bed at Noon. Any of them would have been a worthy winner (in fact three of them might have been a more worthy winner than the one that did clinch it).

    Furthermore, in my ongoing promotion of the fine and overlooked works of Brian Moore, I have to point out that after being shortlisted for the prize in 1976 for The Doctor's Wife, the book was ruled out of contention by one of the judges, Mary Wilson, on the grounds of its explicit sexual content. And if that hasn't piqued your interest, nothing will.

    John, I will be posting up a few bits and pieces related to the shortlist in the coming days, such as the books just outside the 10, books that only received one vote and so on.

    Wierd, I didn't actually post two identical comments, but it looks like I did! Did I mention I voted for Cloud Atlas? :)

    It's a good list with only Mills standing out as being not of the same quality. I would have put Rohinton Mistry's A Fine Balance on there instead.

    Shall enjoy weighing up the relative merits of these.

    Cloud Atlas by a mile (though some other great books here)....his writing is unique and he's probably the only author I actually read slowly - because I can't bear to miss a single perfect sentence. I still can't believe it didn't win. Wrong. Just wrong.

    Tough choice, looks like Cloud Atlas by a country mile. Was hoping to see A long long way on yer list, but how and ever, Butcher Boy for me by a nose from Cloud Atlas, with McGahern a close 3rd. I love this shit!!

    Tough choice, looks like Cloud Atlas by a country mile. Was hoping to see A long long way on yer list, but how and ever, Butcher Boy for me by a nose from Cloud Atlas, with McGahern a close 3rd. I love this shit!!

    Cloud Atlas is breathtaking and gets my vote. With Fingersmith by Sarah Waters a worthy runner up.

    Cloud Atlas, because I've never approached a book with as much cynicism (hmmm, how can he call this a 'novel') and been so completely won over, by the form, and the writing. And also, in retrospect, it is such a deep pleasure to feel so involved with a story and its characters that you forget completely about the author.

    Cloud Atlas(Is this getting to be a habit?)because of the way the form never gets in the way of the narrative although they oh so cleverly interreact with each other. I never thought I could read sustained lengths of 'futurespeak' and not only understand them but enjoy them hugely.

    I also enjoyed Atonement (before the film was a twinkle in the director's eye) and Fingersmith. But in the end it just has to be Cloud Atlas.

    I've gone for Magnus Mills, a cracking and unique read that's not overwritten, not tricksy, not too lah-de-literary-dah, and absolutely compelling. Missed off the list - Tibor Fischer's Under The Frog which I think is really terrific and Michael Frayn's Headlong.

    Cloud Atlas, definitely. Can't say I've read all of the others on this list, though I might start working my way through them, but Cloud Atlas is the most stunningly brilliant book I've ever read, ever, so I'm pretty certain it would still be my favourite after reading the rest of this shortlist. How it didn't win the Booker I'll never understand.

    My own feeling is that Cloud Atlas didn't win because brilliant as it is, in the end the whole didn't make more than the sum of the parts. The textual onionskin structure aside, the elements didn't have enough to link them other than the overall theme of subjugation and the slightly pointless motif of a crescent-shaped birthmark. And I couldn't get along at all with "Sloosha's Crossin' and Everythin' After" or indeed "The Pacific Journal of Adam Ewing." But brilliantly written otherwise.

    The other reason is that it was up against some very brilliant books that year (2004), probably the strongest shortlist in recent years.

    Womagwriter has just commented that she hasn't read all the others, and I was about to blush with embarrassment as I too voted without having read them all... then I checked and realised I have read them all. Phew, honour is satisfied! (Well, I have read them all if starting Graham Bloody Swift's Waterland three times and never being able to finish the damn thing counts.)

    'Souls cross ages like clouds cross skies' - from the very end of the Sloosha's Crossing section. That's what ties the whole novel together, and to my mind, makes it far, far more than the sum of its parts.

    Difficult one - but Swift's WATERLAND got my vote...sorry John!

    Difficult one - but Swift's WATERLAND got my vote...sorry John!

    Have just blogged about at greater length, but from this list my vote would go to either Never Let Me Go or The Master.

    no stephen king?

    Butcher Boy is a great book, and one that didn't spring to mind, but I went with Atonement -- I think it might be the best novel of the last 25 years, so...

    I really hope giving it to McEwan for Amsterdam three years earlier didn't influence the jury's decision, because I agree with Scott that Amsterdam was undeserving.

    I wrote about this on my blog a bit ago, but of my shortlisted favourites "Illywhacker", "The Handmaid's Tale", "The Good Terrorist," "Earthly Powers," "Utz", "A Long, Long Way" didn't make your list either! which leaves me with "Atonement" and "Cloud Atlas". Has to be David Mitchell then since "Atonement", though better than "Amsterdam" is a little too nostalgic for me. Seems your reviewers have a short memory, too many recent novels for my taste. But good to see a world beyond "Midnight's Children".

    Adrian, as one of the 'judges' it's not so much that I have a short memory as that most of the shortlisted books I've read have been from recent years. I was -4 years old when the Booker began, and only really started reading Booker-type books in the early 1990s, so it's inevitable that my choices were going to be weighted toward the last couple of decades. I have of course read earlier titles, but it's easier to get caught up in the hype and read several shortlisted titles for a given year when it's happening around you!

    Oh and of your list, I couldn't finish Illywhacker (Oscar & Lucinda remains the only Peter Carey I have finished - read twice in fact - and I've tried all his other novels but one) or The Handmaid's Tale, so they weren't likely to make my list of nominees. Others might have named them but not ranked them high enough to make the final tally.

    The problem with public polls like this is that you can only vote for books you have read, which means that the big sellers tend to get the nod over other books which may be of higher quality but that simply didn't sell in such high numbers. I, for example, can only vote for Atonement, Cloud Atlas, Waterland or Never Let Me Go. I'd be interested to see in this comments strand people say not only which of the books they voted for but also which they were choosing between. (As it happens I haven't decided yet which of those four will get my nod as I thought they were all good but none of them favourites of mine.)

    Why we cannot vote for two or three? I voted The Master of Colm Toibin but i feel so bad leaving Ishiguro and Sarah Waters out. I'm surprised though that Cloud Atlas gathers so many preferences - not that the book isn't a worthy one but i do suspect that its vote represents mostly a particular fashion of hype view.
    Toibin is amazing also as person - nothing to do with the usual 'english' retinence, you know :)

    Well, I've read six of these (i.e. not McGahern, Ishiguro, McCabe and Waters; of these I want to read the McGahern and I don't want to read the Ishiguro, or indeed, any Ishiguro). Of the six, I'd choose The Restraint of Beasts, which strikes me as just as much a tour de force as Cloud Atlas, and far less showy. I didn't like Atonement - of McEwan's work, I'd rather have seen A Child in Time or Black Dogs on the list. I've got a lot of respect for Barnes, but don't think A and G is one of his best, and I don't remember Waterland well enough to know whether this is my fault or the book's. My second choice would be The Master.

    I've only read 4 of these but with no hesitation I went for Cloud Atlas. Reading it made me open my eyes wider with every page, and I swear there was some sort of sparking happening inside my head!

    Maybe i'm more affected by the greek translation of Cloud Atlas than i thought (it just doesn't read and got the worst reviews here)- it's not an excuse enough though, i had read it before in english and i didn't get any sort of 'sparkling'. It was very good, indeed but The Master has such a subtlety and finesse in its subject's handling that it really needs a true master for it.
    I'll vote again also for Ishiguro though, i just cannot resist..:)

    To do this properly I'd have to reread the eight I've read and have a stab at McCabe and Waters. I loved McGahern's 'Amongst Women' but had the criminally ignored 'That They May Face The Rising Sun' been on there, I would have voted for that. It's a good shortlist, and when I've made up my mind between 'Cloud Atlas' and 'Atonement', I'll get round to voting...

    Dan. I must disagree with you about Magnus Mills. It may not set out to be heavy literary fodder but it is a wonderfully entertaining Kafka-esque novel and a thought-provoking read. Its lack of pretension makes it a cut above many books that have won the prize.

    Iain. I found A Long Long Way to be very dry and dull and could never get past the first few pages.

    John. I can actually see both sides of the Cloud Atlas argument. I loved it, and loved reading it, but I agree with you that the various parts are not pulled together sufficiently to make it the 'perfect' novel. It is a bold and exciting experiment that almost comes off. As you know my theory is that Mitchell's first three books are all short story collections that he has linked together to make into novels.

    Poppy. I can't speak for Greece but I don't think Cloud Atlas was hyped over here. It did get a big push from the publisher but I felt that was down to a genuine and massive enthusiasm for its content. Hype, for me, is when the advance buzz is not matched by the book itself. I seem to recall Sceptre raving about Andrew Miller's The Optimists shortly after the success of Cloud Atlas but the book simply didn't live up to it.

    Marie. I accept that to be entirely fair you have to have read all the books but there's nothing wrong in voting for any of them that you enjoyed.

    Sarah Waters deserves more votes!

    Went for The Master, which is a very moving book. Cloud Atlas was good fun but a book structured in such an original way deserved to be backed up with ideas that were equally original.

    Even more criminal than leaving The Remains of the Day off the Best of the Winners list, is leaving both - both! - William Trevor's The Story of Lucy Gault, and Rohinton Mistry's A Fine Balance off the Best of the the Rest list.

    And even more criminal than that is not having a single book by a writer outside of Britain and Ireland. Dirt Music; A Fine Balance; Fasting, Feasting; Unless; The Beggar Maid; Remembering Babylon... In this decade alone, one third of the titles eligible for this list were by writers outside of GB&I. Judges - must do better!

    the list seeems a touch short of women writers - you can see why the Orange Prize was invented!

    I must admit Jo that I rarely think about the gender of an author when selecting a book to read or compiling a list like this. In fact, I am pretty sure that gender plays no part at all in my though process when it comes to books. For me, it is always the book that matters. I hadn't even worked out how many men vs women were on the list. For me, it is irrelevant.

    I hate woman writers. It's not naturul.

    Or even natural. The miss-spelling is a sub-conscious indication of the degree of its unnaturalness.

    Agree completely with the thing about not having read all the books, which edges it towards a popularity contest, but that doesn't mean the debate isn't fun. It lets me say this, for instance: Did I miss a section of people ranting about why A Month in the Country wasn't included? If I did, I'm really sorry for boring people. If I didn't, take my rant (friendly enthusiastic for A Month in the Country style ranting rather than angry about any other of these excellent books style ranting) as read.

    I still say Fingersmith woz robbed. Bloody Life of Bloody Pi.

    Had to be Cloud Atlas in the end. Reasoning/justification here - http://geographyofhope.blogspot.com/2008/07/best-of-booker-losers.html.

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