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    Quick Flicks

    • Adam Thirlwell: The Escape

      Adam Thirlwell: The Escape
      Politics, Thirlwell's debut, was a reasonable, if immediately forgettable attempt to emulate Kundera - slight but charming. This follow up after a seven year wait lacks that charm and is, instead, a bit irritating. (**)

    • Richard Asplin: Conman

      Richard Asplin: Conman
      With a quote from Tony Parsons on the front and a comparison with Ben Elton on the back this is a book I wouldn't normally touch with a bargepole but it is much better than those namedrops would suggest. When Neil's business falls on hard times he befriends a dodgy conman - and then things really start to go breasts uppermost. More Jake Arnott than Tony Parsons - thank god. (***)

    • Max Frisch: I'm Not Stiller

      Max Frisch: I'm Not Stiller
      Kafka-esque novel about a man in prison who claims not to be Anatol Ludwig Stiller despite all the evidence to the contrary, including the fact that his wife, mistress and brother all say that he is. I must find out where this one goes. (****)

    • Megan Abbott: Queenpin

      Megan Abbott: Queenpin
      The wonderful retro cover reflects the wonderful retro content full of mobsters, casinos, women with legs to die for and other assorted cliches handled with aplomb. (****)

    • Chuck Palahniuk: Pygmy

      Chuck Palahniuk: Pygmy
      Whether you go for this or not pretty much depends on how you respond to the broken pidgin English used by the narrator - an exchange student visiting the US from some strange invented hybrid Communist state. It annoyed me, so I gave up. You may have more patience. (**)

    • Robert Twigger: Dr Ragab's Universal Language

      Robert Twigger: Dr Ragab's Universal Language
      An unusual, surreal and genuinely intriguing novel from a writer more used to non-fiction. This gorgeous hardback has lured me in and I plan to read on. (***)

    • David Denby: Snark

      David Denby: Snark
      Oh this is good. A measured, amusing and incisive attack on 'snarking' - the low-grade, insult-based journalism and humour which seems very much the rage at the moment. Essential reading for Nick Cohen and Tim Adams methinks. Oh, and probably for me too. (****)

    • Yael Politis: Lonely Tree

      Yael Politis: Lonely Tree
      An engaging and enlightening novel set around the formation of the state of Israel. Politics, history, family and love are combined well with echoes of Louis de Bernieres at his most readable. (***)

    • William Shakespeare: The Tempest

      William Shakespeare: The Tempest
      Another take on the Shakespeare graphic novel. I realise it is sacrilegious to say this but, for me, there was too much of the text and not enough of the pictures. I would have preferred for more of the story to be told through the images. (***)

    • Josa Young: One Apple Tasted

      Josa Young: One Apple Tasted
      Far too much pink on the cover to be aimed at me, and clearly designed for the classier end of the women's fiction market, but an entertaining read nonetheless. Three narratives - one each from the 1930s, 50s and 80s - combine to explore how past events can impact on future generations. (***)

    • Jacob Polley: Talk of the Town

      Jacob Polley: Talk of the Town
      It's a personal thing but I often struggle with books written in the vernacular. I either have to skim read so that it doesn't bog me down or go extra slow to work out what it all means. Either way removes a great deal of the reading pleasure. This debut, set in 80s Carlisle, has too many affternoons, watters and dropped G's for my liking. (**)

    • Stan Cattermole: Bete De Jour: The Intimate Adventures of an Ugly Man

      Stan Cattermole: Bete De Jour: The Intimate Adventures of an Ugly Man
      Stan Cattermole is an ugly man. A very ugly man. Join jim as he searches for love, although a quick shag would do. This is a true story - painfully honest and painfully funny. I hope to welcome the author to the blog very soon. (****)

    • Terri Wiltshire: Carry Me Home

      Terri Wiltshire: Carry Me Home
      This confused me as it has a similar opening to Scottsboro by Ellen Feldman which is also published by Macmillan. Where this one differs is that it adds a parallel modern narrative and after my initial deja vu moment this did grow on me. (***)

    • Emma Vieceli: Manga Shakespeare: Much Ado About Nothing

      Emma Vieceli: Manga Shakespeare: Much Ado About Nothing
      All the wit and energy of Branagh's film adaptation but in comic book form. Perfect study aid. Almost made me like Shakespeare. (****)

    • Megan Abbott: The Song is You

      Megan Abbott: The Song is You
      I love how Pocket Books has packaged this series of crime novels. Both cover and contents hark back to pulp classics of the 40s and 50s. Great entertainment. (****)

    • Maggie Dana: Beachcombing

      Maggie Dana: Beachcombing
      An edgy romance about getting back with an old flame - 35 years on! At the more sophisticated end of the genre this will appeal equally to chicklit fans and those of a more literary persuasion. Perfect summer reading. (***)

    • Dale Peck: Sprout

      Dale Peck: Sprout
      A gay teenager with green hair moves with his father from New York to Kansas. They do things differently there. A coming of age novel with some verve and edge. A great books for teenagers to read. (***)

    • Shannon Burke: Black Flies

      Shannon Burke: Black Flies
      A novel about a paramedic set in 1990s Harlem. Lots of gore and action. I am a bit suspicious of the lack of boring and pointless calls that Tom Reynolds describes so well in Blood Sweat & Tea but this is a compelling read so far. (***)

    • Aleksandar Hemon: Love and Obstacles

      Aleksandar Hemon: Love and Obstacles
      I tried three of the stories but just couldn't get in to any of them. (**)

    • Jessica Ruston: Luxury

      Jessica Ruston: Luxury
      Remember the guilty pleasure of reading a Harold Robbins or a Judith Krantz? Jess has brought the old-fashioned blockbuster bang up to date. This could be quite a ride. (***)

    • Diana Mosley: The Pursuit of Laughter

      Diana Mosley: The Pursuit of Laughter
      A worthy addition to the ever-growing Mitford library. This collection of articles, reviews and diary entries is perfect for dipping into on these long summer evenings. (****)

    • China Mieville: The City and the City

      China Mieville: The City and the City
      Mieville has carved a popular sci-fi/fantasy niche with his books to date. This is more of a crime thriller but still set in an imagined world. Can't say it has grabbed me so far but I should probably read some of his other stuff first. (***)

    • Tim Murgatroyd: Taming Poison Dragons

      Tim Murgatroyd: Taming Poison Dragons
      An epic novel of old China. I confess I found the narrative a little stilted, reading more like an old-fashioned translation, which was probably what the author was trying for but it bugged me. (**)

    • Tim Burrows: From CBGB to the Roundhouse

      Tim Burrows: From CBGB to the Roundhouse
      'Why do so many music venues close when art galleries and museums are preserved?' - a good question from the author which sets the tone for this interesting and entertaining study. (***)

    • Julian Evans: Semi-invisible Man: The Life of Norman Lewis

      Julian Evans: Semi-invisible Man: The Life of Norman Lewis
      I have never read any Lewis, although I have his final book on my shelves. The preface of this book, which reads like the perfect essay on the art of biography, impressed me so much that I will have to read more. (****)

    • Jenn Ashworth: A Kind of Intimacy

      Jenn Ashworth: A Kind of Intimacy
      I have two friends who are obsessed by morbidly obese people and they will love this. I enjoyed it too. Narrated by an XXL woman as she tries to make a fresh start in life. Funny, sexy and slightly odd. (***)

    • Caroline Rance: Kill-Grief

      Caroline Rance: Kill-Grief
      18th century Chester. A young nurse with a secret to hide starts work at a new hospital. This reminded me of The Observations by Jane Harris and is recommended to anyone who enjoyed that book. I will read more of this soon. (***)

    • Muriel Barbery: The Gourmet

      Muriel Barbery: The Gourmet
      In a wonderful example of linked novels, this prequel fleshes out the story of the food critic from current bestseller The Elegance of the Hedgehog. Here we find him on his deathbed, desperate to recall a forgotten flavour from his youth. A small tasty morsel and the perfect accompaniment to one of the sleeper hits of this year. (***)

    • Giancarlo de Cataldo: Father and the Foreigner, The

      Giancarlo de Cataldo: Father and the Foreigner, The
      The fathers of two disabled sons become friends but their relationship takes a sinister turn. A most intriguing Italian novel. Quite short too, and one I shall definitely be finishing off soon. (****)

    • Chris Simms: The Edge

      Chris Simms: The Edge
      Simms writes gritty, down to earth crime fiction to rival the very best of them. And he isn't scared of killing off a major recurring character in this latest instalment. If you like crime and have yet to read his work then might I suggest you get your bloody finger out. (***)

    • Chris Ewan: The Good Thief's Guide to Paris

      Chris Ewan: The Good Thief's Guide to Paris
      A crime series narrated by a thief who is also a crime writer. Like a circle in a circle like a wheel inside a wheel. One of the more imaginative and original crime writers around at the moment and a series of books (the first one is set in Amsterdam) that I am sure is destined for big things. (****)

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    • Scott Pack is Publisher at The Friday Project, an imprint of HarperCollins.
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    June 26, 2008

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    Comments

    wise words dear chap,but isn't this going to be the way things go if the age gap between publishers and sellers becomes wider. when i sold books (and ordered them), back in the 90's most of the publishers were in their 20's/30's, and the people who sold the books in the shops were, on the whole, interested in the items they were selling. on the occasions i have purchased books in a shop recently the sellers were often more interested in selling other things, and the passion of books appears to be diminishing. i remember golda meir well enough because i'm an old fart, but if the publishers issue a title they should take on the responsibility to inform the book buyer why they should part with their hard earned cash for it, and accept that they are playing their part in the angular shift in the way books are developed and sold.

    Isn't this also a reflection, Scott, of the dramatically different standards of history teaching in our schools and the fact that more and more of today's under 25s have less and less awareness of even fairly recent modern history? When I did O level history we covered the Crimean War, but most young people give me a blank look if I mention it now. I say this because in conversation with my own youngest daughter, 22 this year and second year at uni, I was talking to her about my book on the Romanovs, explaining the role of Lenin etc. 'Mum,' she asked, 'who's Lenin?' Horrified silence from me!

    But from what I've been hearing, a lot of similar aged young people even in Russia are asking the same question. I think the younger generation today - god sound like an old fogey don't I - are much more grounded in the present and the very recent past - it's a cultural/generational difference I've noticed in many other areas. the same thing is happening in literature. My daughter's not red a line of any of the classics - oh no tell a lie, she managed about ten pages of Sense and Sensibility.

    Good point old chap. Particularly keen on 'angular shift'. Very nice.

    In this case the publisher had, in my opinion, done as good a job as it could to outline the importance of the book and its subject. It seems that they couldn't get over that hurdle of the buyer saying 'never heard of her'.

    To be completely fair I really don't know a great deal about Golda Meir. I could have told you she was a leader of Israel but that would be about it. Nonetheless, the first new major biography of an important international figure cannot be dismissed out of hand.

    All the signs are that the book will sell quite well in the stores that have taken it and particularly online.

    Helen, I tend to agree.

    One question is whether history at secondary schools should whiz students through the history of the world so that everyone has a reasonable grounding on all the subjects or should it pick out key moments and explore them in more detail?

    As I have mentioned before, the Glorious Revolution wasn't even mentioned in my school and I had an excellent history teacher. I am guessing it wasn't on the curriculum at the time. We did loads on the Tudors and WWI and WWII and quite a bit on Russia.

    My kids are both at first school and have studied chunks of history - Greeks, Romans, Victorian etc - which is probably about right for their age. It will be interesting to see what they cover when they move up a school.

    I'm ashamed to say I'm in my 40s (just) and my knowledge comes from the film "munich". however ask me about the Tudors.....
    I guess my point is it isnt an age thing it is which drop of the vast ocean that is history you did at school and how far you took it (A level for me) ie the youth of today (great title for a ntwork 7 reinvention) almost certainly know alot more thanme on other pockets of history , science etc.

    The book isn't selling well because Golda looks like Alan Rickman in that photo.
    If the title was: "Golda Meir: Die Hard," then you'd have something.
    I think I agree with the post just above me on this one. There's SO much more information out there now, it's hard for me to think of anything as a mainstream work of non-fiction anymore. And I'm not sure age is that big of a factor...or maybe it's a cyclical thing. Anyway, Scott, and you've touched on this, but you aren't 320 years old and yet are reading up on the Glorious Revolution (how did that get sparked again?) so...what was the question? It's hard for me to see this as an age thing instead of more of a shift in how much choice we now have in which little bits of history we pick over. I'm still trying to get Rome straight for Pete's sake.

    I'm not sure I agree with your thesis. I don't know where your evidence is that publishers are getting older and booksellers relatively younger, and I'd doubt it's true, or if they're less well educated. My history education (to O level) included nothing from 20th Century. I think if a bookseller in the 1980s was presented with a book about, say, Ben Gurion then they would have as little clue as many seem to about Meir.
    Possibly the difference is that in the 80s booksellers had control of a higher proportion of their purchasing budget to select stock, and would have been happier to take a punt.
    The Amazon 'evidence' is also misleading. The fact that they have it listed has no bearing on how many booksellers have ordered it, as it's not published yet.

    Interesting post - but I'm not sure I entirely agree it's an age thing. Political biographies are always tricky to sell aren't they? I think perhaps the problem with selling Golda Meir is that she was not evil, mad, bad (e.g.Stalin, Mao, Hitler, Saddam, Mugabe, Amin, Napoleon?)or, conversely, saintly, angelic or self-sacrificing (e.g Gandhi, Mandela,Martin Luther-King, Che) enough to interest general readers. General readers, with an average history education, are more interested to know what made the deranged or inspired tick and how entire populations were hoodwinked, bullied, or otherwise conned into indulging and following them. From this perspective maybe Golda Meir is on a par with Harold Wilson or Woodrow Wilson - worthy but dull.

    I was going to make a similar point to Paul Henderson. I know that when I started buying stock in 1989, I'd never heard of people like 'Chips' Channon who would have been familiar names to an older generation.. However, the publisher's sales rep would, if they were doing their job properly, give me enough information to make a sound judgement about a book's sales potential and likely review coverage. Also - and I think this is very important - I'd know whether the omission of a title would undermine our credibility as a specialist bookseller.

    Booksellers can still buy from reps today (except at Borders), but reps are so overworked and shops understaffed that it's difficult to find the time for a productive meeting. The result is that more titles slip through the net.

    Interestingly (although slightly off the point), Waterstone's MD Gerry Johnson decided to devolve more buying power back to the shops last year (not nearly enough, but it's a start) and was reported as saying that he was losing sleep thinking about the risk. Waterstone's went on to have one of its best Christmases for years and ended up with fewer returns, so what does that tell you?

    Awareness is not the reserved for the middle aged, young padawan.
    At least it's being published - and as an aside - most of my mates are graduates and rarely do they pick up a book.

    Golda Meir:Die Hard!
    nice.

    She also looks a bit like Davros in Doctor Who.

    She's not a looker is she?

    This post has sparked some interesting debate and some excellent responses. Thanks for taking the time to thrash it out, so to speak.

    My age comment is not based on any studies and is put out there as a possible theory only.

    The reality on this book is that the buying decisions will have been made on many criteria but I still think there is a link between the amount of buyers saying 'Golda who?' and the low orders. Anecdotal feedback was that older buyers bought it consistently and younger buyers were a real struggle.

    I just think it is an interesting discussion point.

    When I first started in bookselling (many years ago) I ended up with the biography section because I had A Levels (I had the classics section for the same reason - lucky me!) At the time I was travelling to and from work with my Dad and the agreement was that we would listen to Radio 1 on the way in and Radio 2 on the way home. At the time Radio 2 covered a lot of new books and especially biographies so I was able to sound much more knowledgeable than I really was.
    But I don't think buyers have any excuse really in these days of Google and Wikipedia. It's obviously a big book and the information about why is just a few clicks away.

    I blame the cover entirely, it's terrible and would give people nightmares, sort that and I bet the book would fare so much better which is a sad indictment in itself. I think the history thing is a plus ca change situation, as time goes on there's just more and more of it and too much to know, they didn't know how lucky they were in the 1400's!

    I only stocked the book after reading this and have sold 2 in 3 days,so thanks. The cover though.... a cross of Alan Sugar with a little sprinle of Patrick Troughton

    Get on........that's Sid James, innit?

    Get on........that's Sid James, innit?

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