John D. Barrow: The Book of Universes Barrow eases me in gently to this study of potential universes with examples and explanations that are relatively easy to follow without being too simplistic or patronising. I want to read on and I want to learn more. (****)
Jane Shilling: The Stranger in the Mirror A memoir of middle-age and very much one woman's account rather than a how-to guide or self-help book. Can't really see it having huge appeal outside of middle-aged and middle-class female readers, but it is an interesting take on a subject much of the media shies away from. (***)
Peter Ackroyd: Dickens: Abridged An abridged paperback edition of the author's huge 1990 biography, and seeing as no one gave me the new Claire Tomalin one for Christmas I may just have to settle for this. It seems decent enough so far, although Ackroyd is keen on the occasional novelist's flourish. (***)
Colin Grant: I & I: The Natural Mystics: Marley, Tosh and Wailer A history/joint biography of the most influential band in reggae music. Bound to be of interest to fans, there wasn't quite enough here for this neutral reader to go any further than an initial dip. (***)
Kaui Hart Hemmings: The Descendants I thought this was OK but, to be honest, I found myself thinking that I'd be better off just watching the film. (***)
Nicholas Shaxson: Treasure Islands: Tax Havens and the Men who Stole the World In the preface to the paperback edition of this book the author appears to be completely up himself. He speaks of the 'astonishing success of the first editon' [it sold 12,000 copies] and that the 'reviews have been stunning' [there are some good ones but also some lukewarm ones]. I wanted to throw this across the room and only stopped myself from doing so because he wasn't within range for me to hit him in the face with it. I stopped reading. He comes across as an arse. (*)
Fyodor Dostoevsky: Uncle's Dream I am always a bit sceptical about lesser known works by literary giants - if they were that good they'd be better known works - but I found this tale of social matchmaking in 19th century Russia to be a real joy. Lots of long sentences that seem to skip along with a mischievous glint in their eyes. And yes, I know that sentences don't have eyes. They can have i-s though. (****)
Elizabeth Arthur: Antarctic Navigation For some reason, new copies of this 20-year-old book are on sale for 99p in The Works. If you can track one down it looks fascinating. A book about one man's obsession with Antarctica and Scott's expedition. (****)
The Artist It is lovely but nowhere near as good as everyone seems to say it is. Charming without any real wow factor. (****)
My Week with Marilyn Great ensemble piece. Michelle Williams is mesmerising. (****)
Best Laid Plans A reworking of Of Mice and Men set in present day Britain. Wonderful performances and a genuinely moving climax. Do seek this one out if you can. (****)
Cinema Paradiso Hadn't seen this in years. Still wonderful but, if I am honest, it loses some of the magic when older Toto appears. (****)
The Adventures Of Robin Hood A proper old-fashioned classic that is over 70 years old and still cracking entertainment. (****)
Sherlock Holmes: A Game of Shadows Utter tosh, but perfectly enjoyable tosh. Has at least one very clumsy plot point and I don't share the popular view that the banter between the lead actors is what makes this work. It's OK, but not great. (***)
Barney's Version Watched this for the second time this year, and enjoyed it just as much. Wonderful performances from an amazing cast. (****)
Heartbreaker French rom-com which had several laugh out loud moments. Worth checking out if it pops up on the telly. (***)
The Girl With The Dragon Tattoo Largely unnecessary but perfectly reasonable remake. Disappointed by Daniel Craig's lack of accent when everyone else was doing one and I have no idea why they changed the ending. Rooney Mara was excellent as Lisbeth Salander though. (***)
Drive Tense, thrilling, compelling and quite touching. I love Ryan Gosling. (****)
We Need To Talk About Kevin Devastating and breathtaking. A bit of a masterpiece. I never want to see it again as long as I live. (****)
Wuthering Heights Saw this in the cinema with my friend Katy. Full marks to Andrea Arnold for making it feel as real as possible. This is how the story would have actually looked. It is grim, dirty, cold and bleak. Some great performances, especially from the younger Cathy and Heathcliff, but there is no getting away from the fact that the source material is actually a bit thin and weak (yep, I really did just say that). (****)
District 9 Had no idea it would be this bleak. Good though, very good. (****)
Easy A I had heard lots of good things about this, and I did enjoy it, but it didn't quite live up to the hype. (***)
Dipping Into
Kuhaku & Other Accounts from Japan A stunning little hardback with amazing essays, stories, illustrations and other work. Really rather beautiful.
Daddy said I could tell you all about a book I have just finished. Prince Jake: Knighty-knight
by Sue Mongredien is all about a prince who is the prince of pranks and is quite naughty.
In this book he was going to a party and wanted to wear the black knight costume but his mum, the queen, got him a different one. So Jake called the shop and ordered the black knight one instead.
Also, his dad, the king, had a bet with his Uncle Cosmo that he would win the jousting competition but the king was a bit rubbish at sports. So the queen dressed up in a knight's costume instead and beat Cosmo.
I thought it was really good. My favourite bit was when Jake was riding and fell of his horse. I am 7 and I think boys and girls my age would like this book.
There are lots of other Prince Jake books and I am looking forward to reading more.
Bloomsbury are soon to publish a series of 'lost classics' that have been recommended to them by bloggers, authors and others as worthy of rediscovery. Lots of publishers seem to be doing something similar and they all have their own take on how to do it. Anything that brings back wonderful books that may have been temporarily forgotten is fine by me.
You can check out the series, The Bloomsbury Group, here. There is also a questionnaire you can fill in to win a free set of the books.
Crime writer Matt Rees has interviewed Friday Project author Warwick Collins for his blog.
Do please pop over and take a look. It is part of an ongoing feature called The Writing Life in which Matt asks other writers all the questions he himself gets asked the most.
Warwick's latest novel, The Sonnets, is out in paperback this week. It is in the Waterstone's 3 for 2 if that floats your boat, it is also in the Borders multibuy. Independent bookshops have been very supportive as well so if you have one nearby do pop in and check The Sonnets out. It is short, sweet and somewhat saucy.
Copies of the limited edition hardback sold out months ago, perhaps they will become collector's items at some point in the future. Anyway, it is a fine read that I hope you find time to peruse.
I have been thinking for some time that we should have some sort of Big Mouth get together. Problem is, I can't stand pubs, clubs, bars or large groups of people. So it won't happen.
But perhaps the occasional small huddle would work?
On Tuesday 16th June the BFI are showing a number of films by BS Johnson: You're Human Like the Rest of Them, Paradigm, Fat Man on a Beach, BS Johnson on Dr Samuel Johnson, footage of the author speaking about The Unfortunates and the cinema premiere of the recently rediscovered short film Poem. The evening will be introduced by Johnson's biographer, Jonathan Coe.
As a big Johnson fan I absolutely have to be there. As a BFI member I can pre-order tickets and get priority booking. I was thinking of ordering 4, if I can find three readers of this blog to come along with me. If not, I'll just book the one and be Billy No Mates. Either is fine with me.
But if you are keen then drop me an email. There is an email link somewhere on the sidebars, I am sure you can find it. Tickets would be about £8, I think.
By the way, there is a Nick Cave event with a Q&A the night after. I think MOTC will be going to that one, but look out for it if you are a fan.
While polishing off a pack of that popular health food snack Jelly Belly at the weekend, the kids and I starting inventing new flavours. Our favourites were:
Emo Pumice and Despair
I tweeted our results and have had lots more suggestions back:
Trouser, Bingo, Crayon, Limescale, Tickle, Dirty Nappy, Ferret, Man Flu, Battery, Nail Polish Remover, Morning Mouth.
About a quarter of the way through The Half Brother
by Lars Saabye Christensen it dawned on me that I was effectively reading a Scandinavian John Irving novel. Seeing as Irving hasn't exactly been firing on all cylinders of late, finding alternatives strikes me as a worthwhile pastime.
Vera is raped by a stranger just as the church bells of Oslo start ringing to mark the end of World War Two. She refuses to speak a word to anyone, including her mother and grandmother with whom she shares a small aparment, until she gives birth to a baby boy nine months later. She names him Fred, Norwegian for 'peace'.
A few years on and Vera is successfully wooed by a short, round former circus performer turned travelling salesman. They marry and our narrator, Barnum, is born. Destined to inherit his father's lack of stature, Barnum is picked on at school but learns to revel in his role as an outsider, an attitude that colours his entire life. Although he will never become quite as distant and removed as his half brother. Troubled, disturbed and moody, Fred becomes mute after witnessing a family tragedy, a silence he maintains for several months. He is only promoted into speaking when Barnum plays Living Doll on the family record player one time too many.
The book's narrative spans three or four decades and we follow Barnum from birth to adulthood, witnessing the highs and lows of his unorthodox family, his relationships with Peder and Vivian, his only, and lifelong, friends and the comings and goings of the mysterious and influential Fred.
At nearly 800 pages, The Half Brother is an epic, an absurd epic in places with tiny, seemingly insignificant events sparking consequences years later, just like Irving at his best. And I kept coming back to that comparison while reading the book. If, indeed, it had been a new book from Irving himself it would have been hailed as a mighty return to form, which suggests that his fans will have a great time with this. Even though it is long it never feels laboured and I am not sure I could identify any sections that need cutting. Some of the praise for this must go to the translator Kenneth Steven who has done a wonderful job ensuring this is an effortless read.
The Half Brother was originally published in the UK by the independent press Arcadia back in 2003, and they deserve a mini-ovation for having the balls to bring it to these shores. But a £12.99 trade paperback with an austere cover was never likely to become a bestseller, although it did make it into four figures which is no mean feat. The mass market rights were picked up by Vintage who put together a far more commercial package. It has gone on to sell four times as much but it deserves a much wider audience than that. When you consider that Until I Find You by John Irving, his most recent novel, sold close to twenty times more it would suggest that there are a hell of a lot of potential fans for Christensen and this wonderful novel.
I would urge you to check it out if any of the above has tickled your fancy. It is certainly a book I shall try to foist upon anyone who will listen for some considerable time to come.
The authors of Bullies, Bitches and Bastards
wrote an amusing piece for the Daily Mail yesterday. At least, I assume it was amusing, I found myself gazing longingly at the picture of Winona Ryder instead. I am only joking, of course I read it (just don't test me, OK?) Amanda and Eileen provoked a strong response with dozens of comments online and the book has been pootling up the Amazon sales ranking ever since.
The article is all about frenemies. A frenemy, as you may have guessed from the name, is a pretend friend who secretly hates you. I don't think I have any of those. People who hate me are usually quite open about it.
We approached the people who make The Apprentice: You're Fired! and suggested the authors go on there and pick out the different types of bullies, bitches and bastards amongst the candidates. They let us down gently by saying they were fully booked for this series but they didn't completely rule it out for the next one. We shall see.
We'll try Big Brother next, they might be up for it.
The good news is that we have had lots of request for radio interviews since the piece ran so Amanda and Eileen will be gracing the airwaves over the coming days.
It is rare for a book to get a second wind like this. BB&B was published last Christmas and did pretty well but it is nice to have the chance to get a few more readers several months later. It seems that there is a market for a frenemy spotting guide.
Full marks to Bloomsbury for this excellent initiative. For one hour, starting now, you can download a completely free copy of the newly Orange Prize shortlisted novel Burnt Shadows by the delightfully named Kamila Shamsie.
My inbox is full of emails from internet retailers trying to convince me to pre-order the newly announced Dan Brown novel for half price.
Half price? How very generous of them, especially when they don't yet know what discounts they will be getting from the publisher when they buy it. They might end up making very little money indeed on the transaction.
But, let's face it, half price is going to seem bloody expensive by the time the book is actually published in September. I'd bet anything that the supermarkets go below that, perhaps way below that, in an attempt to lure customers into their stores where they hope they will spend money on higher margin items like bananas, toilet cleaner and cotton buds.
With Harry Potter now off shagging whoever it is he ended up with in the final book, the supermarkets will, I am pretty sure, jump on any 'event' title with glee and do their level best to sell as many copies as possible. And love him or loathe him, a new book from Dan Brown is definitely an event.
At least, it is for the retailers who are prepared to discount the arse out of it. It will be a complete non-event for all independent bookshops. They will probably get a better deal by purchasing their stock from their local Asda than bothering with the publisher or wholesalers. Many will buy just one or two copies, some won't bother to stock it at all.
Is that a problem? Does it really matter? Certainly it feels wrong that a major new book, one that could well sell millions in the opening few weeks, will bring little or no benefit to hundreds of bookshops who either can't compete on price or, if they do, won't make any money from it. But that is just the way of things now. We can moan about it all we want but do we stop buying loo roll on special offer from Tesco because we feel sorry for the nice man at the corner shop? No, we are happy to wipe our arses on a good deal. It is the same with books. If someone wants to use The Lost Symbol as a loss leader then what that actually means is that hundreds of thousands of avid readers will snap up a bargain, save some vital pounds during difficult economic times and they certainly won't be losing any sleep over some chap in an independent bookshop who is being priced out of the game, no matter how attractive the carpet or pleasant the staff.
Forget about it. Move on. This is going to happen with every major blockbuster. The sort of books we are talking about stop being books and become something else. They are the new hot commodity, the latest fad. They are Delia's cranberries or Beyblades or GoGos. Everyone wants a piece of them and are prepared to use them to entice people into their emporiums to buy other things. If that rules out the more traditional retailer then that is just tough. It isn't fair, it doesn't really help but it is the way things are and they aren't going to change.
This is Modern Japanese House
by Naomi Pollock. It is published by Phaidon at £45. I have a copy in my living room bookcase. It has been there for 4 years. I have never read a word of it. And yet it is taken out and used more than any other book in our house.
We lean on it.
Ethan will take it down, spread a sheet of blank A4 across it and sketch his manga characters, colouring them in with his pro-markers and spending hours creating a vast portfolio of drawings. Despite his repeated claims that they are nothing to do with him, the cover of the book is heavily marked with pencil lines and dots of ink.
Martha will balance it on her lap when she is doing her homework, usually spellings. It is wider than she is and forms the perfect portable table.
And I do likewise when I am in the living room writing. MOTC will be watching ER or something and I will do the sociable thing and stay in the room working on something else, glancing up occasionally when someone is spurting blood or that woman who played Velma in the Scooby Doo movies is on screen.
If you ever visit Pack Mansions you are just as likely to see Modern Japanese House lying on the floor, or on the sofa, as up on the shelf where it belongs.
Of course, upstairs is a different matter altogether. Upstairs we use Warriors of Medieval Japan
by Stephen Turnbull. It is a bit smaller than Modern Japanese House but is the biggest book on the bedroom shelves and does the job nicely.
Books are for reading, yes, but most of the time they are for decoration. Every book is destined to spend most of its life sitting on a shelf and only a few days or weeks out and about being read. Having them sitting there is a comfort, an orderly array of reading memories.
But they must get a bit bored up there, why not offer them some extra work? In the past week I have seen a pile of them used to raise the height of a computer monitor, one used as a doorstop and another as a flower press. I bet if you look around your home or office you will find one moonlighting in such a fashion. Do report back.
Danny's first novel, Asboville, was one of my top ten reads of 2006 and I am very much looking forward to reading this follow up. We have quite a crop of promising young writers in this country at the moment and he is right up there with the best of them.
Soldier Boy is all about Scottie, a young man who joins the army to get away from the tedium of dead-end jobs and killing time at home. His experiences in a foreign land have a profound effect and stay with him long after he returns home. It is a timely and relevant story which will resonate with many who read it.
As usual, if you want one of the six copies that are up for grabs then email me and keep your fingers crossed. The deal is that you have to read it soon and review it somewhere online - you blog, Amazon, wherever.
A bit busy at the mo, and the kids are coming home today, but to tide you over...
I have added quite a lot of stuff to the sidebars, do take a look if you have a sec.
Visited a friend's house at the weekend and gave their HD telly a close inspection. Couldn't really tell any difference, or not enough to care about, so won't be coughing up for one till I have to.
Am reading the 700 page epic that is The Half Brother
by Lars Saabye Christensen. It is taking a while but is really rather special. A Norwegian John Irving.
Found an old letter from a long lost acquaintance while tidying the attic over Easter. Yesterday she emailed me out of the blue having discovered my blog through the Michael Kimball interview. We were last in touch 15 years ago.
I loved Dear Everybody by Michael Kimball and reviewed it last week. Today he pops by to answer some questions.
SP: I really enjoyed the book, one of the best things I have read this year, and I am intrigued by how you went about putting it together. Did you have a storyline which you then broke down into letters and documents or did you do it the other way around?
MK: It happened with the letters first and the storyline came out of that. I learned about Jonathon as the reader does, letter by letter and document-by-document. I made it up as I went along, though in no particular order. I never outline what I’m writing and I try to not know what is going to happen next. I try to keep that from myself for as long as I can.
SP: It is probably lazy shorthand to describe Dear Everybody as 'experimental' but I am lazy, so I will. Are you concerned that in choosing an experimental way of presenting the narrative that you might scare off more mainstream readers? Perhaps you don't give a shit?
MK: I know you’re not lazy. There’s no way you could read and write as much as you do and be lazy. Regardless, I wasn’t worried. It’s never been something that I’ve worried about. I write the books exactly as I want them to be and then hope that they find a publisher and an audience. I feel lucky that I’ve been able to this. Besides, it’s not as if Dear Everybody is difficult to read; it just looks different.
SP: If Jonathon were to leap from the page and take corporeal form, do you think you'd want to hug him or give him a slap?
MK: I would have to start with a hug and then I would help him to find a good therapist.
SP: A question about the mechanics of writing. Are you a 9-5 desk man? Longhand on pads? Coffee shop scribbler? Laptop? Mac or PC?
MK: It depends on what stage I’m in with a novel. The first draft is mostly written longhand on legal pads in bed. After that, I type everything into the computer and print out those pages and then revise and rewrite and reorganize. I’m willing to change anything. And I can write anywhere. Much of my first novel was written on the subway in NYC. Lots of my work has been written on trains or planes. Also, Mac, definitely, and desktop, mostly.
SP: So I am now a convert and want to read more of your work. What do you recommend I try out next?
MK: I would say work backwards and try How Much of Us There Was. Also, if you like the short form, there is the ongoing postcard life project.
SP: Dear Everybody would make a great movie, any studios sniffing round at the moment? Or would answering the question jinx it?
MK: Let’s not jinx anything. In the meantime, there is this brief film of a book trailer:
SP: Last of all, visitors to my blog are cordially invited to name a favourite book for my readers to check out. Care to suggest anything?
MK: I just finished Leanne Shapton’s Important Artifacts, the story of a failed relationship told as an auction catalog. That’s worth a look.
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Michael Kimball’s third novel, Dear Everybody, was recently published in the US, UK, and Canada. The Believer calls it “a curatorial masterpiece.” Time Out New York calls the writing “stunning.” And the Los Angeles Times says the book is “funny and warm and sad and heartbreaking.” His first two novels are The Way the Family Got Away
(2000) and How Much of Us There Was
(2005), both of which have been translated (or are being translated) into many languages. He is also responsible for the collaborative art project Michael Kimball Writes Your Life Story (on a postcard).
I wanted to publish this book during the previous incarnation of The Friday Project but sadly it wasn't to be. I was delighted to hear that it has now seen the light of day with the Word Of Mouth imprint. It is a really clever idea and is destined to have a loyal, if cult, following.
Alice and Jack tell the stories of their past lovers through a series of, somewhat mutated, Rorscharch inkblots.
It is funny, irreverent, and rather rude in places. The perfect gift for the one you love.
Leo Benedictus: The Afterparty When the hardback of this came out earlier in the year the publisher asked people to tweet anything they wanted with the hashtag #afterpartybook and promised to include all the tweets in the book. And so they did, including three from me!
Evan S. Connell: Mrs Bridge A book reissued after many years out of print following a campaign by that John Self blog on his blog.
Kevin Brockmeier: The Illumination Pain manifests itself as light. A plague of this weirdness is taking over the world. Presumably they just need to find a dimmer switch.
Benjamin Parzybok: Couch The tale of three housemates and their magic couch. As good as it sounds. (****)
Catherine Smith: The Biting Point One of the finest short story collections I have read. And I haven't even finished it yet. Been dipping in all year as part of my short story challenge and this as been an absolute joy. (*****)
Bryan Lee O'Malley: Scott Pilgrim's Precious Little Life A great book for anyone who loves graphic novels or manga. It's about a 23 year old who lives in Canada and the book is kind of drawn and written like a video game inside his head and he has to defeat the seven evil exes so that he can go out with the girl of his dreams - literally. (*****)
Suzanne Collins: The Hunger Games It is kind of like it is in the future but it is kind of like it is in the past. It's about a girl called Catniss who is 16 years old and lives in District 12. Years ago, there was a big war between the 13 districts and Capitol. Capiton won and 12 districts were defeated but the 13th was destroyed. Now every year Capitol prove their dominance by hosting the Hunger Games where they take two people from each district, a boy and a girl, and make them battle to the death. Kill or be killed. Catniss has to participate in it but only because her little sister was chosen and she wanted to stand in for her. Very gory but very, very good. (*****)
Penny Dolan: A Boy Called MOUSE This is a Victorian adventure novel about a boy called Mouse (strangely enough!). He is the grandson of a rich old man who owns a grand estate but his parents are lost at sea and his Uncle Scrope doesn't have the best intentions. So, Mouse's nurse, Hanny, runs away with him to farm. Scrope employs an evil villain to track Mouse down and the story unfolds from there. Nearly every chapter ended on a cliffhanger. (****)