Bank Holiday here in England. It looks like it might be sunny too. A lazy day of reading seems to be in order.
So might I suggest some suitable material?
Louise Williams wrote her first ever blog post as a guest here at Me And My Big Mouth. Feeling duly inspired she has now started her own blog proper. It can be found here and is very funny. On more than one occasion while reading it I may have wet myself. Just a little bit.
My friend Susie Cornfield has relaunched the website for her Chronicles of Dekaydence series. The books are aimed at teenagers and are very edgy, hard-hitting tales of eco-terrorists in a slightly alternative future. They have picked up a bunch of good reviews and have somewhat of a cult following, but I am sure Susie would swap cultdom for a sniff of the bestseller charts. The website is an excellent accompaniment to the books, with sample chapters, audio clips (including an excerpt read by Martin Jarvis) and music composed for the series from none other than Francis Rossi (not sure what the teens will make of that but the music does fit the characters in question).
As many of you know, my son Ethan is a fan of manga, the Japanese graphic novels that are slowly expanding their shelf space in your local bookshop. I tend to read a few of each of the series he tackles, partly to feed my Japanophile nature, partly as they are really quick to read but mainly just to check that he hasn't got his nose buried in some inappropriate tale of teenage girls getting rogered by grunting fuckpigs. Of all the manga he reads by far the best is Death Note which is a very clever crime story with supernatural elements. If you have been pondering dipping in to manga but are unsure where to start I would recommend it.
Although if you would prefer something a bit more literary, if that is the right word for a graphic novel, then a recent discovery of mine is Yoshihiro Tatsumi. Hardcore manga fans will know all about Tatsumi, credited with starting the trend for gekiga. Gekiga are more serious 'dramatic pictures', effectively graphic novels by artists who wanted to explore more serious and thought provoking themes than traditional and often disposable manga. That's not to say that manga can't be serious and thought provoking, but a lot of it isn't.
Anyway, US graphic novel publisher Drawn & Quarterly have, for a few years now, been issuing some of Tatsumi's best work in a series of gorgeous hardback volumes, one for each year starting from 1969. I am only part way through this first volume and it is, by a long way, the best graphic novel I have ever read. More a collection of short stories actually but still a stunning piece of work. This quote from legendary book designer Chip Kidd says it perfectly:
"What a revelation this book is. I'd no idea that long before writers like Haruki Murakami and Kenzo Kitakata, the work of Yoshihiro Tatsumi had so expertly peeled away the lacquered layers of Japanese social and sexual surfaces to reveal the elemental heart beneath, and with such fearless depth of feeling. Decades ahead of its time."
I realise quite a few of you will already have made this discovery but I am guessing that most of you won't have heard of Tatsumi. I hope you get a chance to check him out, he is quite wonderful.