Brian Aldiss: A Rude Awakening
The Horatio Stubbs trilogy ends on a rather grim note. A view of army life in Sumatra shortly after the Second World War. Humid, irritable and dangerous. (***)
Leo Benedictus: The Afterparty
Really pleasantly surprised by how much I enjoyed this. Always slightly put off when something is described as 'post-modern' but this was most decidedly not up its own arse. Intelligent and witty satire of celebrity culture. (****)
Richard Cowper: The Custodians
Four long stories, or four short novellas depending on how you look at them, from this 'forgotten' SF author. Three of them were outstanding and the other very good. Out of print but worth hunting down. (****)
Sjon: The Whispering Muse
More magical myth and fable from Iceland. Sjon always challenges the reader but he also always delivers. (****)
Margaret Atwood: The Blind Assassin
Read this with a few people at the same time and we documented our thoughts on here. Enjoyed it. Could have done without the aliens but otherwise rather splendid. (****)
Brian W Aldiss: A Soldier Erect
Starts out as a continuation of Horatio Stubbs' sexual adventures but ends up as quite a dark and grim account of the Battle of Kohima. Some remarkable passages. (****)
Jen Campbell: Weird Things Customers Say in Bookshops
One of those rare humour books that actually made me laugh out loud. Several times. (****)
Patrick Easter: The Watermen
God, this was a much more pleasant read than the Patrick O'Brian I attempted a few weeks back. A most entertaining 18th century adventure caper. (***)
Richard Cowper: The Road to Corlay
A wonderful slab of 70s SF/Fantasy. In the year AD 3018, Britain has succumbed to floods and is now split into seven separate island kingdoms. The soldiers of the Church are hunting down member of a peaceful religious sect. Meanwhile, in the early 21st century, a scientist goes into a coma while undergoing a brain experiment. Somehow the two things are linked. Absolutely loved this, got completely wrapped up in it. (****)
Faiza Guene: Bar Balto
The story of a murder narrated by the corpse along with all the suspects. Starts off with some real promise but the voices become less convincing as the book progresses and the ending is a terrible let down. (**)
Christopher Isherwood: A Single Man
A wonderful short novel. Rather fine. (****)
Joseph Conrad: Heart of Darkness
I honestly have no idea why this is considered a classic. A dull and plodding build up to one of the most anti-climactic endings in literature. A waste of time. (*)
Brian Aldiss: The Hand-Reared Boy
Hugely controversial novel at the time due to its frank portrayal of young men's view of sex and still quite shocking today. Also, very funny and tragic. (****)
Valeria Luiselli: Faces in the Crowd
An excellent translation of a highly promising debut. Expect to read more of Luiselli, hopefully translated by Christina MacSweeney. (****)
Chris Priestley: Mister Creecher
A splendid reworking of the Frankenstein story with a remarkable twist at the end. (****)
Suzanne Collins: The Hunger Games
I crammed this in a little over a day so that I finished it before seeing the movie. A great book, quite thrilling to read. (****)
Philip K. Dick: Do Androids Dream Of Electric Sheep?
Not his best work. Not bad, just not great. (***)
Miyuki Miyabe: The Devil's Whisper
I liked the insight it gave into ordinary Japanese life but as a mystery novel it was far-fetched and easy to second guess. She has better books. Avoid this one. (***)
Chip Kidd: The Learners
Worthy sequel to The Cheese Monkeys. No idea why these two books aren't more widely read. They are wonderful. This one is a lo-fi Mad Men. Oddly delightful. (****)
Justin Torres: We the Animals
Started out with great promise but ended up annoying the fuck out of me. (**)
Helen Smith: Alison Wonderland
Completely bonkers detective novel cum anti-vivisection thriller cum unrequited love story cum road trip. Loved it. (****)
Maxime Chattam: Carnage
99-page crime novel set in Brooklyn but originally published in French. Brevity comes at a price but it cracks along at a decent page and is thoroughly enjoyable. (***)
Thomas E. Kennedy: Falling Sideways
A bit Borgen. A bit cold and distanced but I enjoyed it. (***)
Andrew Crumey: Sputnik Caledonia
Not quite as successful as Mobius Dick (a book I loved) but still full of more wit and invention than most of the supposedly exciting literary novels I get sent to review. I have no idea why Crumey isn't up there alongside David Mitchell as one of our most acclaimed British novelists. (****)
Mordecai Richler: Barney's Version: A Novel
Very different to the film, which shifted time, some locations and conflated characters, but I managed to enjoy this without losing any of my admiration for the movie version. Which is quite something. (****)
They certainly look Japanese. The helmet isn't right but there's a "rising sun" (maybe). There also appears to be a white cotton bandana on the tip of the bayonet - or is that an artifact?
Posted by: Richard Whittle | February 27, 2010 at 08:35 AM
The soldiers are I believe Japanese - the helmets and tunic collars are right for the period and the rifle would appear to be a representation of the standard Arisaka rife - probably the model 38. It was said to be the longest rifle of the period especially when the bayonet was fitted. I think you are probably right Scott that the plate was used for a book about the Sino-Japanese War. It was obviously produced well before Japan's entry into the Second World War and the figures are not the racial stereotypes beloved of later British and American publishers.
Posted by: Mike Nicholson | February 27, 2010 at 10:52 AM
My husband says that the soldiers are Chinese Nationalist infantrymen equipped with German helmets and Mauser or Mauser-style rifles. The Nationalist Chinese were trained by the Germans in the 1930s, hence the German kit. The star is the symbol of Nationalist China.
Posted by: Jane Willis | February 27, 2010 at 12:15 PM
Perhaps this has already been done - another angle to take in the investigation is to find out about the history of the house in which the plate was found. Who owned the house before and what were their connections? What builders worked there before? Are/were there any printers nearby (the plate discarded by a local company?)
Posted by: Averill Buchanan | February 27, 2010 at 12:28 PM
This is all fascinating stuff, thank you.
Someone on Twitter pointed out that if this was a printing plate the numbers would be reversed.
So what is it if not a printing plate?
Posted by: Scott Pack | February 27, 2010 at 12:28 PM
The numbers on the plate are reversed, we just flipped the image when we gave it to you so that it could be seen more clearly. So I think it definitely is a printing plate.
The house was previously owned by an old lady who had bought it in the 1920's and lived there ever since. She died at the ripe old age of 101 in 2008 and we actually bought the house off her daughter. So we have managed to find out some of the history of the house, and what her parents did etc, but there is nothing that we know of that would link up with the book.
There were other printing plates in the garage used in the construction of some homemade lathes, however they were less interesting economics books.
Posted by: Anthony Hodge | February 27, 2010 at 03:33 PM
It sounds like the "Japanese plate" probably came from the same source as the economics books; the economics books are probably easier to track to a publisher/printer. Can you tell us what they are called? Perhaps you've already tracked them down.
So the lady who owned the house came to live there while she was in her twenties - was she married? If so, what did her husband do?
Perhaps the local planning office work have records of work done to the house in the 1940s. Was the house hit during air raids and needed patching up?
Any more information Anthony? This is such a great idea for a novel!
Posted by: Averill Buchanan | March 02, 2010 at 09:33 PM
The plates from the economics books were just pages as opposed to covers and unfortunately are gone now.
The lady originally lived next door with her parents, who bought that house when it was built, and then bought next door for their daughter when it became free in the 1920s. We believe the house is one of the houses built for the 1907 cottage exhibitions in Letchworth Garden City and did not suffer any damage in the 1940s. We don't know what her first husband did as he died in the 1970s.
Posted by: Anthony Hodge | March 03, 2010 at 07:10 PM